GOOD LETTERS are coming in about the difference between mobile and club D-Jing . . . thanx!
Martin Peters (Worksop Tiffanys, Notts), a resident DJ who goes mobile on his night off from the club, has these sensible things to say: “One good thing about mobile work is you can give your best on mobile gigs – play your best records and crack all your best jokes – whereas in a club you tend to play the same discs because you know what music the customers like and expect you to play. In my disco it’s mainly Soul.”
A point that I’d like to raise here: club work probably keeps a DJ more flexible as he’s playing to much the same crowd all the time, while a mobile jock’s carefully worked out “party pieces” will seem fresh at every gig unless he’s on a very restricted circuit.
I’m afraid that some of my special record sequences have been the same for years . . . but then they do get requested in their own right! As he’s the first DJ to mention the more lunatic records that he uses to liven up his show, Martin’s choice is this week’s Hot Tip – and the best thing in his whole letter is what he says about his choice: “Some people might pull faces at these names, but to see your audience smile when you play ’em is fabulous.
From Martin Peters: FRANKIE HOWERD AND JUNE WHITFIELD’S comedy version of Je T’Aime (Pye); PETER SARSTEDT’s Take Off Your Clothes (UA); DICK EMERY’s comedy Conga-type You Are Awful (Pye); plus various tracks from Benny Hill’s Ernie LP (Columbia), which Martin says is a knockout. Now then, don’t pull faces!
LOOK, MA NO HANDS
NOTHING’S TOO good for the Disco Page, and to prove it the classy chassis pictured here could set you back by between £1800 and £5000, depending on the amount of luxury extras you want with it. A Rolls-Royce amongst Minis, this superb console’s most exciting gimmick is possibly its remote push – button start for all three record decks and tape deck. Definitely not a mobile unit, it’s designed for permanent use in clubs, pubs, liners and the like by BACCHUS International Discotheque Services of 30 Redan Street London W14 OAB (01 – 602 6292). The whole desk comprises such items as three Goldring Lenco GL78 turntables with Shure SC35C cartridges, AKG mike and cans, two 100 watt EMI PW101 power amps (driving two Tannoy 15inch. HPD 85 watt speakers), mixer with full pre-fade cueing on all inputs, standby mixer, switch panel for fifteen lighting effects (which are extra), controls for additional background music speakers, and built-in record storage for 100 albums and 600 singles. The storage bins are raked so that the sleeves can be found at a glance. Now, how much is your club manager prepared to spend on you?! Continue reading “July 12, 1975: Harry Hastings Palm Beach Orchestra, Eruption, Intimate Strangers, The Reflections, Dr. Feelgood”