Odds ‘N Bods
Morgan Khan is the “brat from PRAT” no more, the atmosphere of the Pye/RCA RATCRAP merger making it a logical step for him to resign last week (amidst an evident outcry from PRAT’s R&B licensors), but unlike others in this currently troubled time he has some sensational plans (really) which should result in a giant leap for black music before very long when all can be revealed – although it’s safe to say now that his enthusiastic devotion to hard work will be earning respect rather than resentment in the future . . . Surface Noise’s new ‘Dancin’ On A Wire’ was not in fact completed by last weekend so the anticipated acetates obviously didn’t appear then . . . Al Jarreau ‘Distracted’ turns out to be on full UK 12in . . . Fatback ‘Backstrokin’ is due on UK 12in this week . . . Stacy Lattisaw’s next will be ‘Dynamite’ early next month . . . Teena Marie’s I’m A Sucker’ remix is only the flip of her 12in, the 7in being ‘Aladdin’s Lamp’ . . . MCA’s current 12in releases presumably do exist as I haven’t actually seen ‘em myself yet (Ray Still please note) . . . Aurra ‘When I Come Home’ has had a killer bass-heavy remix by Larry Levan (US Dream DG 705), and Community People ‘Education Wrap’ has re-emerged in basically instrumental form as ‘Education Rock’ (US Delmar Int’l) . . . Camberley Frenchies’ Robin Nash and Paul Wheeler open their club Jacksons in Staines soon, with pure jazz Thurs/Fri/Saturdays and a Sunday Californian ‘Cruising’ oldies format, aimed up-market (but of course!) . . . Steve Dee’s regular Brix residency near High Wycombe was completely destroyed by fire recently, he then went to check a venue he was due to appear at in the autumn and the next day – well, you all know what happened to that, it was Alexandra Palace! – and so now Steve’s sunning in the Canaries and hoping his answering machine (0494 443508) will be full of much needed bookings on his return . . . Chris Britton is touring the East Coast’s disco pubs, clubs and holiday camps with the Pernod Summer Road Show next month, when similarly Stuart Gensian promotes Crocodillo sparkling wine in slightly swankier spots around East Anglia . . . Martin Collins, despite happy funkateers, was ordered to play more commercial music at Ware Beckets and told the management that maybe they needed a commercial DJ instead – still, he had fun filling in for Froggy at the Royalty last Saturday . . . Froggy had fun buying records at New York’s Downstairs Records last Saturday at just about the time Martin was depping for him . . . Nicky “The Zit” McKenzie has a new position under Cuddles Canter – jocking downstairs at Mayfair Gullivers, that is! . . . Tom Browne was evidently good value doing club PA’s here, playing along on his horn . . . New York’s black disco-goers were a disappointment as they seem to have forgotten what good music is although they greeted Raydio and the Gap Band with excited whoops . . . Chris Hill, now back from his US travels, sent a postcard saying “in four weeks in the US you learn to live without a lot of things, but I’ve got a real Jones for your RM page – WHATZ HAPPENIN’? I saw the June 28 copy and I know it by heart!!”
GEORGE BENSON: ‘Give Me The Night’ (Warner Bros. LV40) (BNDA debut 7/12/80)
Smash-bound 110bpm monster like a slower ‘Stomp’ now on 3-track 12in with the old lovely stop-start 0-115-113-0-116-119-0-119(first vocal)-0-120-119-0-120-123-0bpm treatment of War’s spurting ‘The World Is A Ghetto’ with George scatting over his guitar, and the gorgeous prettily jogging delicate 82-81bpm ‘Breezin’’ instrumental guitar picker.
QUEEN: ‘Another One Bites The Dust’ (from LP ‘The Game’, EMI EMA 795) (BNDA debut 8/9/80)
New York’s hottest disco newie last week thanks to a US Elektra 12in promo circulated to key jocks, this you may misguidedly dismiss as DOR until hearing that amazingly it’s a bass-heavy ‘Good Times’-structured, 110bpm funk bumper compatible with many current disco hits – I kept hearing it played very loud and mixed with Raydio ‘For Those Who Like To Groove’, for instance! Check it.
JEAN CARN: ‘Was That All It Was’ (Philadelphia Int’l PIR 13-8840) (BNDA debut 12/22/79)
Loosely structured somewhat doodling yet tension-filled languidly smacking superb subtly building strangulated 114-116bpm 12in wailer speeds up only towards the end and, while passionately loved by its fans, never got as big on import as it deserved to be. Continue reading “July 26, 1980: George Benson, Queen, Jean Carn, Hiroshi Fukumura, Loleatta Holloway”