Stateside newies
AL GREEN: Livin’ For You (Hi 2257).
A mixture of silky sweetness and braying brass characterizes the latest relaxing softly thumping slowie from America’s number one seller of singles. Penned by Al with just producer Willie Mitchell, it’s a lovely mushily enveloping sound, coated with sugary strings and cooing chix. Thought for the day: singles-wise sales-wise, Al Green is to America what Gary Glitter is to Britain . . . and that about sums up the two nations’ current differences of opinion.
ARETHA FRANKLIN: Until You Come Back To Me (That’s What I’m Gonna Do); If You Don’t Think (Atlantic 45-2995).
With an approach that is more appealingly Pop than usual, Aretha tackles this Stevie Wonder co-penned slinkily propelled lurching semi-slowie amidst a delightful setting of Arif Mardin-arranged ingenuity. “I’m gonna rap on your door, tap on your window pane” sings the chix-echoed Lady Soul to a rapping, tapping rhythm – and everything else conspires to plop, tootle or soar in delicious counterpoint. This one should have good chances in Britain. The dead slow flip finds Miss Franklin singing the blues back in church, with spine-tingling effect.
LOGGINS & MESSINA: My Music (Columbia 4-45952).
Kings of American radio format, Jim and Kenny here sound like Simon & Garfunkel impersonating Van Morrison singing “Little Bitty Pretty One”! For all that, there’s also a commendable amount of 1950s spirit in their performance, with a hint of the Everly Brothers impersonating the Kalin Twins singing “Baby Driver” . . . which brings us back to where we came in! There’s some fine brass work too, and indeed if I didn’t like the overall result you wouldn’t find it mentioned at all. Oh, and there’s even a sneaky snippet of ska! Continue reading “November 24, 1973: Al Green, Aretha Franklin, Loggins & Messina, The Dells, Executive Suite, Gamble & Huff interview”