ODDS ‘N’ BODS
LEVEL 42 ‘(Flying On The) Wings Of Love (Remix ’81)’, as detailed last week, has now taken over the previous version’s catalogue number (Polydor POSPX 200) and added as flip their previous ‘Love Meeting Love’ . . . Joe Sample ‘Burning Up The Carnival’ is already about on UK 7in (MCA 671) but will be on remixed 12in . . . Stevie Wonder’s hit has not appeared on 12in after all, but ‘Happy Birthday’ was pressed on promo 12in with Martin Luther King’s ‘I Have A Dream’ speech as flip just in case it was released instead . . . LAX ‘All My Love’ is on rare US 12in promo with an instrumental version B-side (1bpm faster) . . . Marvin Gaye’s LP, due here Feb 16th, has evidently been banned on import just long enough after it came in for quick-off-the-mark jocks to build a buzz . . . EMI’s version of the Groove Production label is rushing KID now, so it should be easier to get, but Inversions is still via Groove only . . . RCA have not lost Solar, not yet at any rate, and await an ‘Imagination’ remix for 12in issue . . . Dells ‘Your Song’ remix 12in and Lakeside ‘Fantastic Voyage’ are due soon . . . CBS’s double LP of jazz-funk, scheduled for March 6th, will be titled ‘Bitter Suite Assortment’ . . . Young & Co’s retitled ‘(Strut Your Stuff) Sexy Lady’ 12in gets ‘Waiting On Your Love’ as flip – something for North and South! . . . Morgan Khan now handles A&R for all PRT black product since Graham Bells departure . . . Central London readers who got this copy on Wednesday (28) can catch Incognito tonight at Mayfair Gullivers, where hot jazz-funk bands will be appearing over the next few Wednesdays . . . Showstoppers reinforce their faith in Brighton with an all-star Chris Hill-headed all-niter there on Feb 27th . . . Haringey Lazers, where they were making the pina coladas with ice cream last week, has a disco dancing competition over six weeks from Feb 13th with star guests and even the lady Mayoress opening the show, contestants apply personally or in writing (with a photo) to the club at 6/9 Salisbury Promenade, Green Lanes, London N8 . . . Dartford Flicks also starts another disco dancing competition on March 13th, as usual for club dancers rather than slick gymnasts . . . Funktion’s Saturdays at Baker Street Barracuda now feature half-price drinks all night . . . Phil Lamb will be playing all types and vintages of soul for the nicely named CO MAN CHE Soul Society at the City Of Manchester College of Higher Education – everyone welcome, look for the posters. Staines tribe the Norwich Soul Bokkers have avoided confusion by renaming themselves the Staines Fusion Few, and are preparing fanzines for Brighton and Caister . . . Chris & Carol Hill plus some married chums including the Vincents, should by now be back from a fortnight in Florida, where the weather’s actually been colder than here – except for Miami, which is where they were . . . Southern TV last Thursday showed a fascinating BB King narrated programme about the Blues, made by the Mississippi Authority For Educational Television . . . MFSB’s massive chart drop is the mystery of the week – whassamatter jazz jox, ain’t it hip now it’s out? . . . Blondie, or at least the 12in instrumental break, is however getting lots of “hip” attention! . . . Harry Thumann turns out to be German, ‘Underwater’ breaking first in Holland quite some time ago . . . ‘Funky Mix’ is getting belated attention for its Michael Jackson portion . . . ‘Get Up And Boogie 1980’ is awful and not worth the effort of listing all the titles, I’m afraid . . . Alan Coulthard is now doing mobiles with his Barry neighbour Steve Wiggins, who in turn mourns the switch and contraction of Cardiff Broadcasting Company’s ‘Souled Out’ from Sunday to just one hour on Monday . . . Alan Gibson plays “futurist” at Birmingham Faces Profile Suite weekends . . . Gary Allan (Liverpool McMillans) raves about Roger Squire’s electronic syndrums, great he says used with Mammatapee ‘Monster Fun’, but warns jocks not to overdo the effect on every record . . . Bob Jones (Chelmsford) recommends the new version of ‘Let’s Groove’ by Groove Holmes on UK Manhattan LP, only £1.50 from Our Price – where he picked up the Dells ‘No Way Back’ (1976 Mercury LP track) for only 50p . . . Craig Dawson (Edinburgh) lists the current Dutch disco chart, two local entries being Stars On 45 ‘Stars On 45’ (CNR) and Fruitcake ‘My Feet Won’t Move’ (EMI) . . . Mike Allen (Capital Radio) says, apropos of nothing much, “It’s not true – don’t believe it!” . . . oh yeah? . . . KEEP IT GOOD!
FUSE ONE: ‘Grand Prix’ (LP ‘Fuse One’ Japanese CTI K26P-6020).
Creed Taylor-produced superstar supersession with such as Ronnie Foster, John McLaughlin, Larry Coryell, Joe Farrell, Stanley Clarke, Ndugu, Paulinho DaCosta, on one of those expensive Jap albums which record shops are happy to demonstrate – hence the late review, this great electronically zinging, rattling, tinkling and splurging jittery 0 – 124 – 129bpm racer with sax punctuations and the purposeful slow basically 109bpm ‘Double Steal‘ jiggly jolter which are well established specialist monsters.
GENE DUNLAP: ‘Love Dancin’ (LP ‘It’s Just The Way I Feel’ US Capitol ST12130).
Superb satisfying set produced with a jazzy bias by drummer Dunlap and sung by the Ridgeway’s (sisters and a brother) maybe more listening than raving although this delicately pitter-pattering low-key bubbling 115bpm gentle jiggler with wheezing synth actually beefs up when you whack on the bass and mix perfectly out of Roy Ayers ‘Running Away’ (a pivotal feature in my own sets as you may have gathered!). The lovely title track is a swaying 45/90bpm melodic lurcher. ‘Rock Radio‘ an Isley-ish fast pulsating 127 – 128bpm smacker, ‘Before You Break My Heart’ a pretty winsome smooth slow 60bpm jogger with nice vocals, ‘I Got You’ a gospel-ish 34/69bpm slowie where Earl Klugh plays keyboards and the lustful explosively jazzy Spanish guitar 0 – 112/56 – 113 – 118bpm ‘Surest Things Can Change’ instrumental, but not on the slow 38bpm ‘Should I Take Her Back, Should I Let Her Go’.
AZOTO: ‘San Salvador’ (Dutch Rams Horn RAMSH 3008).
Italian-recorded rattling 125bpm 12in Euro bounder with nice piano and guitar effects enlivening overly mechanical bland strings, the instrumental latter part being better than the first half shopgirl aimed Wally vocal section and proving surprisingly hot for jazz fans. Continue reading “January 31 1981: Fuse One, Gene Dunlap, Azoto, The Breakfast Band, Rah Band”