For every Jack there’s a Jill, or so the saying goes, and it seems to me as though for every record (no matter how duff) there’s a DJ prepared to play it.
My principle, when reviewing records, has always been to try and weed out the ones my critical faculties told me were duff, and only mention the ones which were halfway decent – or, at least, of interest and usable.
Furthermore, when this page started, I set out only to mention the records that I considered were likely to cut through a crowded room and make dancers pay attention on the very first hearing.
Now I find myself getting paranoid about the way in which so many things that I never mentioned keep cropping up in our contributing DJs’ weekly chart returns. By no means are all the things I missed out in the duff category, but enough of them are to make me wonder whether perhaps I ought to mention absolutely everything that comes out, just in case I miss a future disco monster by personally thinking it the biggest load of cobblers.
Would you please write in and let me know whether you are happy to let me exercise my critical judgment? Or whether, like this week, I should give blanket coverage of just about everything issued that’s got any sort of beat? (But where would that have placed ‘Magic Roundabout’, huh?!)
I’ve always reckoned I have a pretty good set of ears when it comes to running my own discotheque so please don’t shatter my confidence now!
DOOLEY SILVERSPOON: ‘Dooley Silverspoon’ (Seville SEL 1) (‘Let Me Be The No. 1 (Love Of Your Life)’ mentioned in Billboard column 9/27/75, Billboard chart debut 10/18/75)
It’s not just the fact that I was the first person anywhere in the world to be given a copy of this that makes me enthusiastic. But also the fact that Dooley’s debut album is produced by Sonny Casella, the man who made Jane Burton’s incredible ‘Nobody Loves Me Like You Do’ and the fact that there’s much of the same great sound on many of these tracks . . . now do you understand? My fave is the one most like Jeanne, the ultra-long ‘Let Me Be The No. 1 (Love Of Your Life)’, although even better for dancing is the full, long version of Dooley’s new single, ‘As Long As You Know (Who You Are)’, and the combined parts 1 & 2 of ‘Bump Me Baby’. Strings, shrieking, pretty melodies and ever-hustling hi-hats are the main elements of this Miami-influenced New York Sound. That’s the way I like it, uh-huh!
B.T. EXPRESS: ‘Non-Stop’ (EMI International INA 1501) (mentioned in Billboard column 7/26/75, Billboard chart debut 8/2/75)
The BTE’s first LP thru EMI is, as the title says, non-stop all the way except for a truly awful slow attempt at ‘Close To You’ on Side 2. To tell the truth I find the result a bit monotonous and the tracks too similar to differentiate between them. However, my own fave is the last cut of all, ‘Whatcha Think About That’, while in the US the two most popular are the first two, ‘Peace Pipe’ and ‘Give It What You Got’. Funky fodder through and through, with more vocals than their hit singles might have led one to expect. Continue reading “September 13, 1975: Dooley Silverspoon, B.T. Express, Crown Heights Affair, Seventh Wave, Buddy Holly”