Brixton’s Clouds club was invaded by television cameras last Tuesday to record what promises to be but the first of several TV shows in 1978 that will revolve around a disco setting. However, although the smash US ‘Saturday Night Fever’ disco-set movie has inspired the other planned shows, this particular BBC 2 programme (possibly the pilot for a series) is a straight musical showcase that could just as well have been shot in a studio. The only difference is that the black kids outnumber the white in the dancing audience, and all the performers are black, too.
Called ‘Blackcurrent’ (ho ho), it features Billy Paul, the Real Thing, Desmond Dekker, and an excitingly young Brass Construction-ish band called High Tension. Capital Radio’s Soul Spectrum jock, Greg Edwards, is the compere. Unseen by the cameras but incongruously obvious at the taping, jammed as they were between the bar and the dance floor, a 15 piece orchestra of session musicians began by being in danger of demolishing the Musicians’ Union agreement against discos with one stroke – but, it must be said, by the time they’d got into the rhythm break in Billy Paul’s ‘Only The Strong Survive’, they were really cookin’!
Somehow the kids kept on dancing, and doubtless it’ll all sound (and look) all right on the night – which, incidentally, is next Friday, February 24, on BBC 2.
VARIOUS: ‘Philadelphia Classics’ LP (Phil Int’l PIR 88274) (BNDA debut 1/7/78)
Here at last, the double album of elongated and remixed oldies, of which ‘I Love Music’, ‘Don’t Leave Me This Way’ and ‘Love Train’ have had most import action.
BOB MARLEY & THE WAILERS: ‘Is This Love’ (Island WIP 6420)
Typically good typical Marley, slinkier dub flip.
DONNA SUMMER: ‘Rumour Has It’ (Casablanca CAN 122) (BNDA debut 11/12/77)
Her newest LP’s most obvious – and already proven – disco hit, a fast sparse stomper. Continue reading “February 18, 1978: Philadelphia Classics, Bob Marley, Donna Summer, Jimmy Lindsay, Commodores”