Author: Mike A

Several mobile and pop-orientated jocks have been commenting that this page is neglecting their needs by concentrating so much on records which will only appeal to a limited number of urban club-goers. Let me set the score straight.

Back in 1975 when this page took on its present shape, I concentrated more on the mobile and MoR side of the music than on the club type of funk, because that was obviously an accurate reflection of its readership then.

This approach was largely misunderstood, although several notable successes were scored (such as the revival of ‘Let’s Twist Again’ and ‘In The Mood’) which I like to think we influenced. At the time I was still heavily involved in doing MoR-type mobile gigs (despite starting out in the ‘60s as a soul pioneer), but I got tired of passing on my own well-proven MoR tricks to zilch response from other jocks.

Something else also happened – the disco boom exploded, to the extent that so much outright “disco” product was released each week that there physically wasn’t room to cover the normal pop material too. But, as we all know, MoR jocks usually only play pop material once it’s become well established, so why bother to predict the pop hits ahead of time? Oldies (depressingly, always the same old oldies at that) and the pop biggies seem to be the mobile and MoR merchants’ tools of trade.

Happily a new breed of disco DJ has appeared over the last few years, ready to experiment with jazzier music which as yet may still be a minority taste but is consistently making its force felt even in the pop charts.

However, to turn to last week’s UK Disco chart (this being written prior to compiling the current chart), it is possible to see some amazing developments. Although compiled from about 200 DJ returns, last week’s chart shows perfectly the range of those returns.

McFadden & Whitehead, top of most import-orientated DJ charts, reached number 24 while – as usual – the first 23 places were dominated (with just two exceptions) by pop crossover disco hits. Fine, in itself, but those 23 records were virtually the only records that the majority of non-import-orientated DJs appeared to be playing! Even such obvious Wally fodder as Boney M, Eruption, Peaches & Herb, Kandidate and Bee Gees were barely represented in the Breakers below number 90.

No, instead of playing even the new pop hits, the bulk of Britain’s DJs seemed happy to go droning on with the same records they’ve been using for weeks . . . to the extent that Chic, Village People and Gloria Gaynor actually went UP again!

This evidently narrow spread of DJ interest has left the rest of the chart wide open for the more adventurous jocks to have a field day. There are enough of these jocks to make a very relevant contribution (Spyro Gyra at number 90 was in 12 DJ charts, for instance, while Eugene Record at 30 had 31 DJs – not a very wide gap, really), especially as this minority group of jocks are actually playing a larger selection of records than the pop DJs.

To be sure, the top 25 or 30 places in the disco chart show what are the genuinely big hits, but apart from Village People, Gloria Gaynor, Three Degrees, Beach Boys and (possibly) Sylvester, all of these hits made their initial impression in the disco chart due to the import-orientated jocks. It was then a slow drawn-out battle while the Wally jocks upcountry gradually dropped the previous set of dated disco hits and added these – at the same time the import jocks were finding the next generation of hits.

OK, so your audiences are slow to respond to new sounds, and your local shops don’t stock anything that’s not been on Top Of The Pops, BUT . . . don’t dare say that this page neglects your interests. The mainstream type of DJ, playing a general range of music to a musically unsophisticated audience, is still in the vast majority and in many cases is doing a demanding job extremely well.

I am not condemning anyone for being a Wally, ‘cos Wallys are just nice, totally ordinary, unimaginative, regular people like nearly everyone else. We’re a nation of Wallys. Wallys have the power. Some of the music mentioned on this page today will be the Wally music of tomorrow . . . or the day, if not month or two, after! However, please don’t blame us for being ahead, and interested in a more adventurous audience too.

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Disco News

John Luongo’s Real Thing remix reviewed last week is NOT actually available in the new A-side vocal version yet, the import US Epic 12in only featuring his instrumental flip – but Pye are doing a double-A UK 12in next week with both vocal and instrumental remixes back-to-back! . . . Pye’s new disco plugger is Sue Winter, while at Motown the new disco girl is Noreen Allen as Les Spaine is now Head of Promotions (off hats!) . . . Fred Dove fans will soon have to trek out to Alperton when WEA’s disco dept moves offices . . . RCA’s recent advertising jumped the gun (and may actually have lessened some DJs’ interest in imports supposedly out here), but now finally available on UK 12in with full colour sleeves are the already reviewed Richard T Bear, Vicki Sue Robinson and – imminently – Carrie Lucas . . . EWF/Emotions ‘Boogie Wonderland’ is confirmed at 129-131 bpm . . . BPM freaks may find the Vanguard-made Hand Tally Counter a useful way of clicking off the beats in time to their stopwatch – it gives a four digit read-out (set it to 9999 so that you then hit 0000 at the same time as starting the watch), available at stationers (though surprisingly not Rymans) for about £5.31 . . . Nick Halliday is starting a mail order service for current imports, sent return of post where possible on receipt of payment, the £4.75 LP and £2.75 12in prices including both VAT and postage – cheques made payable to him at Down Grange Farm, Winchester Road, Basingstoke RG22 4ET . . . DJ Federation officers continue as Theo Loyla (Chairman), Tony Holden (Secretary), Dougall DJ (Treasurer) and newly elected Mike McLean (PRO) . . . Polystar’s continuously mixed ‘Boogie Bus’ album is being promoted by a troupe of spectacular Boogie Bus Dancers, this week at Wigan Tiffanys (Thursday), Manchester Rafters (Friday) and Rochdale Tiffanys (Saturday), the campaign eventually moving South along with the TV ads . . . Liverpool’s Timepiece returns to funk with Eric Hearn at the helm on Fri/Sat/Sundays, and all-nighters every last Saturday in the month . . . Gary Allan (Liverpool McMillans) played Easter bunny (randy rabbit?) recently by dressing like Bigwig and hopping about to ‘At The Hop’, much to the delight of his regulars (now known naturally as Gary’s Gang!), while Honey Bee Benson (Gloucester Tiffanys) donned a bunnygirl suit – to find the Easter Monday male funkers were more into her pom-pom tail than the music . . . Paul Stewart reports that jazz-funk is alive and struggling at Belfast’s Glenmachan Hotel every Friday, but he needs a better crowd . . . Dave King spins the hits amidst choking smoke and exciting lighting (pin-spots and helicopters) every Thurs/Fri/Saturday at Blackpool’s new Top Floor Disco, above Jenks Bar in Talbot Square . . . Terry Hooper, busily auditioning DJs, says Ilford Room At The Top has its liquor licence for another year but there’s an adjourned hearing for its music and dancing licence on May 16th . . . Gary Glitter ‘Superhero’ (GTO) is now on 12in (gasp!).

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UK Newies

HUDSON PEOPLE: ‘Trip To Your Mind’ (Hithouse HIT 1)
Out a while, this privately pressed limited edition 9:58 12in has created a stir among rarity-minded jocks and really is worth finding as it’s a good solidly professional fast grooving 133 bpm UK funk racer with booming bass, jazzy guitar and brass and a bit of cool singing to start with before the instrumental excitement builds up power. There’s now talk of Ensign releasing and possibly remixing it.

HEATWAVE: ‘Razzle Dazzle’ / ‘Birthday’ (GTO GT 248)
‘Ain’t No Half Steppin’’-type 95 bpm lurching jiggler on 7in, completely overshadowed by the lovely semi-slow 58 bpm flip which has a jazzily tripping sophisticated lilt and a wailing harmony climax.

DONNA SUMMER: ‘Hot Stuff’ (Casablanca CAN 151) (BNDA debut 4/21/79)
On 12in in the States but I don’t know about here, this is the stolidly thudding 121 bpm chugger reviewed as an import last week. It’s certainly a welcome style switch, though still kinda pop.  Continue reading “May 5, 1979: “I am not condemning anyone for being a Wally””

Showstopper Promotions’ trail-blazing All-Weekender at Caister’s Ladbrokes Holiday Camp in Norfolk this last weekend was a seaside frolic that will linger fondly and funkily in many people’s memories for a long time . . . at least until the next one, in October! The brain-child of Robbie Vincent (who, appropriately as it turned out, sported a witty ‘Caister Escape Committee’ sweat-shirt), the funky fun began on Friday evening and continued with silly games and competitions right through to Sunday afternoon.

Something between 3,500 to 4,000 kids arrived ready to boogie, and the atmosphere was incredible. This was real escape, with virtually anything goes being the order of the day. Music was split between two large halls and a smaller retreat (which I never actually got to!), with a rota of star jocks doing alternating sets.

Obviously there was the strawberry-blonde dyed Chris Hill, but for many the high spot was Greg Edwards’s expert mixing session on the final afternoon. Hill’s rabble-rousing almost got out of hand when two nice young girls were shy about airing their breasts on stage and he literally threw them back into the crowd. If you must have nudity, Chris, how about employing a professional next time, so everyone’s happy? That nasty moment apart, he did his usual Funk Party rally act, rapping this time over McFadden & Whitehead’s ‘Ain’t No Stopping Us Now’ . . . which was played so often it was silly.

Sean French proved to be the dark horse among the DJs assembled there – an endearingly ungainly mover, Sean has been growing in stature as a crowd-pleasing funk jock and was much talked about over the weekend. This is not to belittle the fine funk jocks like Chris Brown, Tom Holland, Jeff Young, Froggy, and of course Robbie Vincent himself, all of whom lived up to their reputations.

Robbie’s special Wally contest was won by a guy in stacked heels, flares, satin jacket and curly wig, who fell about in Ian Moore style – but for me the winner was the truly obnoxious Glen Crimmens (17) of Ilford’s Lacy Lady, who poured beer all over himself, threw chairs, flashed porno pix and actually ate two Village People records! Wot, no piss drinking? The Lacy’s Funky friar did well though, he stood still to begin with, really dumb, thinking about it, then smeared the judges with snot!

Despite this free and easy atmosphere, there was no real trouble until the last day, when a security guard thought some kids from Hemel Hempstead were misusing a fire extinguisher and got clobbered for his trouble. This led to the police setting up roadblocks for the kids’ minibuses, and then started a great exercise in public relations whereby anyone with out-of-date tax disc or dodgy tyres got pulled in by the police as they left the camp to go home. Escape Committee, indeed! All those going by bus congregated around the gate and cheered everyone getting nicked, which in time defused the well meant but stupidly conceived situation.

With so many kids on the loose it was an amazingly well-behaved gathering for the whole weekend, everyone being there for fun, music and the company of kindred spirits. The real holiday camp spirit was raised by such silly contests as digging up buried treasure on the beach, a “Soul jog”, “drag race” (yes, nothing to do with street machines!), and the usual fancy dress dances.

Saturday’s big fancy dress ball ended with a mass side-to-side shuffle and unaccompanied chanting to ‘Now That We Found Love’ segued into ‘I Love Music’ . . . though at other times it was decidedly ‘Ain’t No Stopping Us Now’ that became the new anthem. The final Sunday afternoon farewell ended with Sections One, Two and Three of the crowd competing against each other in the usual way – except the team work is really sophisticated now, each section capable of doing something different in counterpoint to the others. Suddenly it was ‘Land Of Hope And Glory’, ‘Auld Lang Syne’ and the Monty Python theme, ‘Liberty Bell’, and everything was over.

Why, you may ask, didn’t I plug this amazing event in advance? Quite simply, the word had spread so fast on the grapevine when it was first announced some months ago that there were no tickets left, even then. The planned Caister Reunion All-Nighter at London’s Empire Ballroom (the previously hinted-at venue) has been refused a licence by the police at Whitsun, but now Showstopper Promotions hope to get one for the August Bank Holiday. Meanwhile, with a warning to CBS’s Greg Lynn to stay clear of Irish rock stars, and a big hi to Dee, I leave you with the weekend’s catchphrase . . . Gertcha!

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Disco News

CBS Records are very grudgingly introducing unlimited 12in editions at £1.99 but still think the format is merely a chart-place gimmick of no real value, their sales director even going on record saying “I’d rather it would all just go away and we could sell small black things with holes in the middle for the sake of the music on them” – Dear John Mair, it’s for the sake of the music (like bass response and clarity) that the 12in came into being . . . Billy Preston & Syreeta ‘Go For It’ (12TMG 1139) is due this week on brown vinyl 12in for a Motown first – it’s also in the new US-style 12in sleeve which features the US Motown label’s map of Detroit . . . RCA start releasing 20th Century product this week, with Edwin Starr’s ‘H.A.P.P.Y. Radio’ (very ‘Headline News’, Northern fans!) due on 12in any day now . . . Chris Michael Browne’s DJ contest finals are next Tuesday (1) at Elephant & Castle Charlie Chaplin’s, with judges set as disco pluggers John Waller, Fred Dove, Ray Edwards, plus Capital producer Mo Stone (really?), DJ Gavin Breck and probably myself . . . Nick Halliday (Basingstoke) kindly sent me Meco’s ‘Superman’ on 12in – having tried to get rid of it twice as a spot prize! . . . Graham Gold (01-570 7531) has funk, will travel – and needs more residency nights.

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New Spins

EARTH, WIND & FIRE WITH THE EMOTIONS: ‘Boogie Wonderland’ (CBS 12-7292) (BNDA debut 6/2/79)
Given an exclusive UK preview at Caister (where unchecked turntable speed makes my provisional reading of 129-131bpm approximate only), this 8:20 12in finds the guys n’ gals joining forces for an urgent fast strutting full-tilt stamper with staccato chanting from the chix and smoothing strings over the chugging brass, all very exciting and enthusiastically received.

GQ: ‘Make My Dream A Reality’ (from LP ‘Disco Nights’, Arista ARTY 169)
Actually proving to be far from watered-down in comparison with the title track hit, this great 122bpm soul stormer has indeed got similar elements but is a much more powerful song . . . rather than just a disco workout. Due on full 6:22 12in in a fortnight, it’s here joined by the also hot 130bpm ‘This Happy Feeling’ and a dynamite revival of Billy Stewart’s ‘I Do Love You’ smoocher.

TATA VEGA: ‘Get It Up For Love’ (Motown 12TMG 1140) (BNDA debut 4/14/79)
Now indeed on 5:56 12in with the annoying slow centre section edited out, this intensifying 122bpm jittery swayer hangs together better than the LP version and should get even bigger. It’s double-A flipped by the 6:01 churning 124bpm clomper ‘I Just Keep Thinking About You Baby’.  Continue reading “April 28, 1979: Caister Weekender report, Earth Wind & Fire with The Emotions, GQ, Tata Vega, Raydio, Gino Soccio”

The UK Disco Chart is currently being compiled by myself alone again, as in practice the RB Research computer system was far too complicated and actually took longer than doing it all by hand! Radio Luxembourg don’t seem to realise this yet, though. Anyway, contributors, please always include the label details when listing anything on import as many of you are missing out on the chance of a Hot Vinyl feature by not giving enough import info. Oh, and EMI LRD postcard users, please note that your cards do NOT get forwarded to EMI afterwards, contrary to whatever you may have been told.

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Disco News

Rose Royce ‘Angel In The Sky’, due out this week, has been scrapped from the schedule . . . Heatwave’s new ‘Hot Property’ LP is set for May, while their ‘Razzle Dazzle’ single is out next week and Johnnie Wilder, recently in a car accident while visiting his parents, is OK and recuperating with them in Dayton, Ohio . . . Mass Production ‘Can’t You See I’m Fired Up’ 12in, reviewed last week, is now out here (Atlantic LV 27) . . . Voyage ‘Let’s Fly Away’ is finally on 12in (GTO GT 12-245) . . . CBS’s Tappan Zee funk-jazz 12in EP has been postponed until June 1st, but Hilary and Brainstorm are due on 12in in three weeks, with Michael Jackson on picture-disc 12in and Gary’s Gang ‘Let’s Lovedance Tonight’ / ‘Showtime’ on 7in in a fortnight . . . Thames Valley DJ Assn meet Satril’s Greg Gregory at lunchtime this Sunday (22) in Abingdon’s Charters Night Club, new members welcome . . . Cleethorpes’s Clouds Nitescene re-opens after alteration this Thursday (19), with resident DJ Ian Hay inviting South Humberside jocks interested in forming an association to contact him either there or at his home, 62 Winchester Avenue, Grimsby DN33 1HR . . . East Midlands DJ Assn secretary Carl Horsley (Derby 761530) wants to hear from manufacturers and promotion people interested in a planned EMDJA disco exhibition . . . Rus Phillips of Manor Park’s Ere For Music disco dept (open Saturdays) offers rather substantial discounts on imports to DJ Assn members spending at least £10 a week there . . . John “No Jeans” Lewis (Brighton Metro), controversial – argumentative? – as ever, now says “Younger’s beer is awful”; well, as a non-beer drinker, all I know is that it’s the only one that I ever do choose to drink, so stick that on a slipmat and mix it!

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New Spins

POUSSEZ: ‘Come On And Do It’ (from LP ‘Poussez!’, Vanguard VSLD 79412) (BNDA debut 4/14/79)
Just made to mix out of Gino Soccio and huge on import, this simple 122bpm pounder trucks along for 7:38 with squealing and cooing chix repeating the “do it to me” title line and a great “where’d ya learn to funk like that, c’est bon” hook: however, Pye still seem to think the lightweight 130bpm ‘Never Gonna Say Goodbye’ should be the single. French for “push”, the group’s name is pronounced “Poo-say” . . . or “Pussy”?!

PLAYERS ASSOCIATION: ‘Ride The Groove’ / ‘Everybody Dance’ (Vanguard VSL 5012)
Their LP’s other two big dance tracks make a dynamite 12in coupling, the 122bpm insistently driving 6:55 topside chugger keeping up a weird fluttering electronic effect (which mixes with CHA ‘The Rock Is Hot’), while Chic’s 132bpm oldie on the 7:03 flip seems bland without the vocals until it hits a rattling long Latin rhythm break.

DALIDA: ‘Lambeth Walk’ (EMI 2937)
Cairo-born Italian songstress has been a superstar in France since the ‘50s and is currently wowing Continental discos with an irresistibly silly revival of this catchy old World War II dance craze hit! A must for MoR jocks – but instead of this English language version (which misses the whole point), try to get the livelier French-sung original (Orlando IS 49.447). Be warned, it’s so madly infectious you’ll be whistling in no time!  Continue reading “April 21, 1979: Poussez, Players Association, Dalida, Sly Dunbar, Herbie Hancock”

Disco Forum VI in New York is only three months away, running from Thursday, July 12 to Sunday, July 15 . . . and the next Forum in February is scheduled for Los Angeles. If you want to combine a visit to New York’s disco scene with this event, it’s obvious that July is the only possible time to do this for more than a year now. As previously mentioned, Adrian Webb of Southgate Royalty is organising a package trip to the July Forum for UK DJs (and anyone else who’s interested), and the deal sounds very attractive indeed. So far, working on only a very small number of travelers (it gets better the more there are), he is offering for just over £300 a package to include Jumbo flight from Heathrow, road transport to and from hotel (and possibly a city bus while there), a week’s accommodation at either the Hilton or Sheraton, and probably entrance to clubs all arranged in advance – the trip lasting from Wednesday, July 11 to Wednesday, July 19. The accommodation would be for a shared room, but private rooms could be booked for slightly extra. So far this price does not include entrance to the Forum, which at “early bird” rates would be another £105 for DJs, although if enough people apply there is a strong possibility of a deal being done there too. Interested? Then write to Adrian Webb at the Royalty, Winchmore Hill Road, Southgate, London N14, or ring 01-886 4112. Nearly everyone I know is going, me too!

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Disco News

Radio Luxembourg now features the Top 30 from Record Mirror’s Disco Chart in their Disco Computer show every Wednesday night from midnight till 2 am Thursday morning, this particular slot being for the nation’s most danced-to records . . . Disco Tech of Pittsburgh, USA, are selling a ‘Beatmeter’ which gives a visual display of beat patterns from both decks and signals when a potential mix is a perfect match! I can imagine the response from some of you! . . . Raul De Souza’s LP reviewed on import last week is now out here as Tower EST 11918 . . . ‘Living On The Frontline / Frontline Symphony’ by Eddy Grant (Ice LP), raved about by me last August, is due for revival following renewed DJ attention thanks to a Chris Hill-prompted tie-in with Ensign . . . Dennis Brown ‘Ain’t That Loving You’ and Sticky Fingers ‘Wastin’ My Love’ are due on 12in next week, followed soon by Jackie McLean ‘Dr Jackyll & Mr Funk’ . . . Shirley Bassey goes disco on US UA 12in with ‘This Is My Life’! . . . Bournemouth’s Village reopens on April 27th as the Stateside Center, comprising the New York disco, Walt’s Diner, Brickenbackers, Sneaky Pete’s Bar and Village Bowl theatre, with a National Soul Festival on May 6th featuring Chris Hill, Greg Edwards, Robbie Vincent and Light Of The World – hmm, think I’ll check that out myself! . . . Southgate Royalty, already with a new sound system, will be getting Paradise Garage-style lighting soon, while on the Saturday after the Caister Funk Weekender the Royalty starts a weekly New York mixing night with Froggy’s additional sound system creating 5 kilowatts of quadra-pan surround sound zapping around the room! May Bank Holiday Monday (7th) sees Chris Hill and the usual mafia at a Royalty all-dayer, too. Whit Monday (May 28) could see a Caister Reunion all-nighter in the early hours of the Bank Holiday not a million miles from London’s Leicester Square . . . Larry Foster has left Ilford’s Room At The Top to return to his Mad Hatter mobile, but wants guest nights (or bookings on 01-554 4934) . . . Nick Halliday now also funks Bagshot Pantiles on Wed/Thursdays and Camberley Banners on Saturdays (what about Robin?) . . . Scott Wilson is now joined by Radio Forth jocks every Friday at Edinburgh’s Tony’s Cellar Bar . . . G. Paul Sharpe is playing more real disco music following Brighouse Stardust Showbar’s equipment update and name change to Sammy’s . . . John ‘No Jeans’ Lewis (Brighton Metro) is disgruntled by GTO’s rejection of his mailing list application – dunno why, though, ‘cos think what he’ll save in buying the occasional Heatwave single instead of incessant stamps for reaction reports! . . . Steve Wiggins (Barry Rugby Club) keeps getting his Polydor mail-outs stolen – stop thief! . . . K-Tel’s Scandinavian labels Arrival and Chart release product from Can’t Stop Prods, Ibis, Prism, Prelude, etc., often in original US form . . . Richard Evans ‘Do-Re-Me-For-Soul’ (US Horizon LP) is 117 bpm, and not of course as printed last week, 177 bpm.

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UK Newies

GINO SOCCIO: ‘Dancer’ / ‘Dance To Dance’ (Warner Bros LV 23) (BNDA debut 2/24/79)
Immensely powerful but dead simple floor-filler on 8:23 12in hits a great going-nowhere 122bpm groove that pounds right through your skull and should smash, while the slow-starting and more lightweight 128bpm girlie group jumper on the 7:09 flip is also ludicrously repetitive and equally big in America. Terrific value!

EUGENE RECORD: ‘Magnetism’ (Warner Bros. LV 24)
Brought back to Britain by yours truly only to find that WEA hadn’t even heard of it, this dynamite exciting 7:03 12in explodes with some shattering synthesizer blasts before becoming, surprisingly, a 125bpm soul leaper (I still think this vocal bit is too long) and then jumps into a great jazz-funk instrumental section that really piles on the heat! Check too the marathon 11:45 B-side medley of ‘I Don’t Mind/Take Everything’ for a laidback 108-106bpm reminder of his Chi-Lites days.

ERUPTION: ‘One Way Ticket’ (Atlantic K 11266-T) (BNDA debut 9/29/79)
Rather strangely this forcefully pounding unsubtle 124bpm pop chugger, on limited 3:34 12in, started life in 1959 as B-side to Neil Sedaka’s ‘Oh Carol’ and is structured lyrically around several late ‘50s song titles like ‘Bye Bye Love’, ‘Lonesome Town’ and ‘Heartbreak Hotel’ – see how many more you can spot! It remains extremely catchy.  Continue reading “April 14, 1979: Gino Soccio, Eugene Record, Eruption, Carrie Lucas, Sister Sledge”

Disco News

CBS finally pull their finger out and issue an amazing Tappan Zee 12in EP on May 4, containing Wilbert Longmire ‘Black Is The Colour’, Mongo Santamaria ‘Watermelon Man’, Richard Tee ‘First Love’, Bob James ‘Touchdown’! . . . Herbie Hancock ‘Tell Everybody’ and Melba Moore are on UK 12in next week, as are Eugene Record, Lamont Dozier, Air Power and Mass Production . . . Two Man Sound has been remixed by Pete Waterman for the US but is due here again on new 9:20 12in . . . Gino Soccio previously recorded as Kebekelektrik! . . . ‘Makin’ It’ was shown on Thames TV last Wednesday afternoon and returns in a few weeks – it’s ‘Happy Days’ meets ‘Saturday Night Fever’ (Stigwood’s involved), starring Sylvester Stallone/Al Pacino (ie Tom Conti)-type David Naughton, whose RSO 12in of the theme is a US disco hit already . . . DJF (GB) officers stand for re-election (or replacement) at the AGM this Tuesday . . . North Midlands Assn of DJs hold a Forum this Wednesday (11) at Sheffield’s West End Hotel in Glossop Road at 7:30pm – contact Derek Dane on Sheffield 874280 if interested . . . Dorset/Somerset borderland jocks wanting a DJ Association could call Tony James on Dorchester 66254 . . . Chris ‘Michael’ Browne (no relation now to the Bangalore Brownie!) is running a jocking competition every Tuesday until the May 1st final at Elephant & Castle, Charlie Chaplin’s pub, with £40 first prize and various others, open only to experienced DJ’s (equipment provided) who should call Chris first on 01-340 5876 after 10:30am . . . Glenn J. Simpson is setting up a new disco promotion service for not only records but also disco equipment (representing just whom is not clear at the moment), so if interested apply with details about your DJ activities in writing to him at On Air, Penthouse Suite, Town Centre House, The Merrion Centre, Leeds 2 . . . Dartford Flicks, far from boppin’, goes Roller-Disco on Tuesday nights now, while DJ Colin Hudd hopes to have a ‘Kinks & Fetishes’ fancy dress night soon! . . . Chris Bangs also funks to Roller-Disco now at South Harrow Bogarts on Thursdays & Saturdays . . . Ilford Room At The Top is having trouble getting its appropriate licences and now closes on Sundays . . . Mick & Paul Clark of Brighton’s Papillon challenge any London funk club to a crazy football and disco ducking competition at the Papillon on Sundays! . . . Rayleigh Crocs has installed a laser lightshow . . . Niels Birk reports from Denmark that Scandinavia’s hottest disco label is, er, K-Tel – but don’t all laugh, as K-Tel’s two local disco labels Arrival and Chart release product from Can’t Stop Productions . . . Wiggins of Harry Rugby Club notoriety keeps getting his Polydor promo packages pinched (better than your bum, dear!) anyway, stop thief! . . . Phonogram’s John Waller is evidently upsetting jocks when invited to spin a few by being better than them (but then he was a DJ to begin with) . . . Is it true that Mike Allen can’t dance?

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New Spins

WINGS: ‘Goodnight Tonight’ (Parlophone 12Y R6023)
Best kept secret of the year so far, this 124bpm “disco” outing is also available on extended 7:25 12in with beefier beat response, more rhythm break time, and . . . the best bit by far, absolutely drool-provoking lavish packaging! Housed in a glossy LP-type sleeve, the inner sleeve is then like a blown-up version of the old ‘50s Parlophone 7in bag!

MIKE OLDFIELD: ‘Guilty’ (Virgin VS 24512)
Giorgio Moroder meets ‘Tubular Bells’ – a obvious thing to say, but true! Pressed in lovely blue vinyl with white label and photo sleeve, this 128bpm synthesizer thumper will be big with pop fans and comes in two versions, on 4:00 A-side and 6:38 flip. I actually rather like it.

BUNNY SIGLER: ‘By The Way You Dance’ (Salsoul 12SSOL 117) (BNDA debut 3/10/79)
Boy, what a goof last week! Reviewed then in good faith from a white-label promo, this now turns out to have a totally different Tom Moulton remix A-side version on the 7:05 12in, and something else on the flip! Now at 125bpm, the new treatment is only available here, and rightly is exploding already.  Continue reading “April 7, 1979: Wings, Mike Oldfield, Bunny Sigler, Brainstorm, Lemon”

New Spins

PHILLY CREAM: ‘Jammin’ At The Disco’ (Fantasy 12XFTC 173) (BNDA debut 4/14/79)
Slightly slow, this dynamite 109bpm jogger vari-speeds up to make the running mix of the month when synchronised with Instant Funk (long version)! Ten thousand of the 6:45 import 12in have been over-stickered for UK sale, and at any speed it’s a killer on its own – building through chanting, chording and rattling (including steel drums) to some great tension-filled instrumental breaks.

BEACH BOYS: ‘Here Comes The Night’ (Caribou CRB 12-7204) (BNDA debut 4/7/79)
Pounding 133bpm pure disco on 10:42 12in with lots of different breaks, this pop killer took £33,000 and six months to make and is in fact their new LP’s version minus most of the vocals – taken out to please mix-minded US jocks (who some may think mad)!

WARDELL PIPER: ‘Captain Boogie’ (Midsong POSPX 42) (BNDA debut 4/14/79)
Powerfully stamping 130bpm 8:15 12in hits a sorta ‘Boogie Oogie Oogie’ groove before squawking chix emphasise it vocally even more so, but it’s all a lot rougher and rawer.  Continue reading “March 31, 1979: Philly Cream, Beach Boys, Wardell Piper, Bunny Sigler, M”

This page takes so long to compile that, as mentioned before, by the time I’d typed it, then flown the Atlantic and boogied all night, I’d been up for 66 hours . . . the result you can see above, where snap-happy David See caught Froggy and myself quietly crashing while Chic bombed badly at New York’s Roseland Ballroom! Unfortunately I didn’t get much more sleep during the week of the Billboard Disco Forum V, so that the above picture also explains in part why last week’s page was rather lacking. Sorry!

Anyway, rather than continue my report on the scandal and fun to be found in NYC a fortnight ago, I’d better concentrate on the harder facts. Froggy is actually a good starting point, as he was the only British DJ to attend the Forum purely as a DJ . . . and he came back totally converted to American disco mixing! Although he didn’t pay all the enrollment dues, the trip still cost him £350, which he found to be money well spent. “It’s given me more knowledge about the American scene and equipment – the lighting effects are fantastic – and it’s totally changed my thoughts on mixing. I didn’t take it seriously until I heard it over there. Although I was against them at first, I think vari-speed turntables are now definitely of value, and I can’t wait to get my own. The mixes were brilliant!”

Chris Hill was attending the Forum as both DJ and Ensign label representative, and advisor to Southgate Royalty entrepreneur, Adrian Webb. In Chris’s usual outspoken way, he found the Forum’s panel discussions a waste of money but the exhibition part of the event a real eye-opener. “It took just a visit to New York to convince Webb that the Royalty was a toilet and did need upgrading!” Adrian’s reply was more restrained (if enigmatic). “Terrific, we are in a go situation. Hic! No, seriously, they’ve got good hardware but we’ve got the best DJ’s in the world. If enough DJ’s apply to us at the Royalty, we will do a package deal tour for the next Forum in July, getting a plane, hotel rooms and so on, making it easier for British jocks to attend.” Adrian’s expansive mood could be explained by the fact that he’d discovered 750 dollars (presumably hot money) stuffed under a chair in his hotel suite!

Also club-owners, Paul and Michael Berrow of Birmingham’s Rum Runner (frequent visitors to New York) likewise found the trip worth while. Michael explained, “The cost of our trip is a drop in the ocean when one considers our budget for lighting and sound over the next 12 months. Now we’ve seen everything available.” Paul added, “We should have brought our electrician with us, and a DJ. The British scene has a lot to offer the Americans, and vice versa. The combination of both talents could well develop a great new disco concept.”

So, the hardware and DJing aspect of the Forum seem to have been worth the effort for club owners and DJ’s, but how about for record company people? Henry Hadaway of Satril did not find it worth going to as a convention. “It was not very well organized, the place was badly planned, and I heard very little product. However I did meet several important people, and I still believe it’s a good thing but needs better planning.”

This opinion may not be shared completely by Carlin’s Mike Collier, Miracle’s Pete Waterman or Magnet’s Tilly Rutherford, who were busily beavering away doing record deals left right and centre . . . but more often than not were to be found in the lavish top-floor Hilton suites where US record companies were entertaining the delegates. In fact, you could go to these permanent parties without having to enroll for the Forum, and of course this is where the real business was initiated, if not went on.

Bad news for DJ’s, though, was that free promotional record hand-outs were few and far between this time: fair enough for US jocks who have record pools for distribution of the product that they might otherwise have picked up, but not so fair for foreign visitors hoping for hot vinyl.

What about the Forum’s exhibition as a showcase for British hardware? Pulsar of Cambridge’s popular Derek Saunders was exhibiting their products with both Lights Fantastic and MGM, Pulsar’s US distributors, and reported, “The main surprise was we had people from Hong Kong, France, Germany, Australia – I didn’t think it would be so international. Otherwise it’s been business as usual.” Lasertronics of Westgate-on-Sea’s Mike Geary sold two Laserwriters and set up six new dealerships, adding “There’s no way we can compete with the Americans when you look at the technology they’ve got, but we do fill and have exploited a hole in the market with our small machines.” John Golding, though English, has actually set up his Ultra-Volta Discoware firm in Gilbertville, Massachusetts, as he realises that the very effective fluorescent plastic jewellery he makes will have a far larger market in the States – yet he ended up at the Forum by arranging for Adrian Webb to have a UK dealership!

So, in a variety of ways it’s obvious that the Disco Forum is worth attending . . . not the least of which being the great fun that’s to be had. More about that next week, when we reveal more about the certain Miss Ferne Kaps (a real party pleaser!), the clubs, lights, noise and events that were there to be enjoyed.

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Disco News

British DJ Micki Gee broke the 1,176 hour marathon DJing record last Monday and raised £15,000 for retarded kids at Odal’s in Reykjavic, Iceland (so that’s what they do during the long winter nights!) . . . Giorgio and Ritchie Family are now on 12in, while Sylvester and Beach Boys are due on 12in this week . . . WEA’s 12in plans include Lamont Dozier ‘Boogie Business’ / ‘Going Back To My Roots’, Eugene Record ‘Magnetism’, Gino Soccio ‘Dancer’ / ‘Dance To Dance’, Dennis Brown ‘Ain’t That Lovin’ You’ and a US remixed Doobie Bros. . . . Wardell Piper is due next week on Midsong 12in (POSPX 42), while Miracle revive Blair ‘Night Life’ and Brainstorm ‘Lovin’ Is Really My Game’ on 12in in two weeks . . . RCA reissue five 12in Disco Direction Classics on April 6, including Shalamar ‘Uptown Festival’ for the first time commercially . . . London Organisation of DJ’s presents a Jocks Night Out on Monday (26) at Streatham Bali Hai, aimed at fellow DJ’s and their friends, with such as Chris Hill and Greg Edwards socialising – but despite what the ads say, I myself will not be there . . . Manor Park’s Ere For Music disco dept reopens on Saturday (24) . . . Thames Valley DJA meet this Sunday (42) at noon in Farnborough Sports Centre’s Recreational Suite, with several disco pluggers attending . . . Mike ‘Doc’ Hayes (Wellington 2613) is acting secretary of the new Taunton DJ Assn and needs prospective members . . . King Enri, turning on South Londoners at Lewisham’s Chequers record store, wants more evening residencies (call 01-852 3900 in office hours) . . . Robbie Collins now funks Charing Cross Global Village every Friday / Saturday, while Dave Rawlings is resident at Reading Rebeccas every Tuesday / Wednesday . . . Liverpool’s Greg Wilson (New Brighton Golden Guinea) currently sports a really authentic 1963 Merseybeat hairstyle (fringe brushed across but not TOO long at back and sides)!

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New Spins

ARPEGGIO: ‘Love And Desire’ (Polydor POSPX 40) (BNDA debut 12/16/78)
Dynamite exciting smash-bound 130bpm backbeater has quavering catchy high-pitched vocals, driving rhythm and “stun-gun” syndrums, all on full-length 7:34 12in. Hot on import, huge in New York, it’ll be the next really big one here.

NARADA MICHAEL WALDEN: ‘I Don’t Want Nobody Else (To Dance With You)’ (Atlantic K 11269) (BNDA debut 4/14/79)
Monstrous import out now in full 6:30 12in form, the powerfully thudding backbeat jumper – crossover funk at its best seems to be 128bpm on edited 7in although the original US 12in is 126bpm.

WINGS: ‘Goodnight Tonight’ (Parlophone R 6023)
So now McCartney goes disco, for that’s what this relaxed subtle 124bpm roller really is! With lots of interesting changes, including a flamenco-type break, it keeps on chooglin’ and should be the rejuvenating smash he needs.  Continue reading “March 24, 1979: Report from Billboard’s Disco V Forum, New York (Part Two)”

Mix Master

Having to use fixed-speed turntables for my mixes on Capital Radio’s Best Disco In Town (broadcast Fridays at 11pm) has really brought home how vital vari-speed decks are if you want any flexibility in your mixing. Although with a chop mix you can go up and down the BPM speed scale without having to worry about getting out of synch, when doing a running mix on fixed-speed decks you are limited to just those records with the same BPM (some however do mix out of BPM if they have a sufficiently poly-rhythmic backing) . . . and the BPMs have to be exactly right!  Last week’s show featured a few mixes that are probably worth passing on – you’ll have to feel the best mixing points for your own floor situation, though. Produced by the same people, Chic ‘I Want Your Love’ and Sister Sledge ‘He’s The Greatest Dancer’ synch together perfectly during Chic’s instrumental part, then the strange strings bit two-thirds through Sister Sledge synchs nicely with Players Association ‘Turn The Music Up’ (the 12in seems to be 116bpm and not 120bpm as printed on label!) . . . the problem with this bit of cleverness being that you’re stuck with the same tempo for bloody ages! Chopping dramatically on the right beat, you can create far more excitement by going up and down the BPM scale in the sequence starting with Herbie Hancock ‘Tell Everybody’, FLB ‘Boogie Town’ (minus intro), Kleeer ‘Keep Your Body Workin’, pt. 2’, Narada Michael Walden ‘I Don’t Want Nobody Else’ (minus intro), Rick James ‘High On Your Love Suite’ (minus synthesizer intro), Real Thing ‘Can You Feel The Force’ (start after applause at the main fast beat) – you should spot the last three’s similarity of mixing points especially easily. With vari-speed decks, of course, you don’t have to worry about BPM at all.

The Disco Page will be back to normal next week.  Continue reading “March 17, 1979: “Vari-speed decks are vital if you want any flexibility in your mixing.””

Four hundred quid and next to no sleep later, New York was certainly good fun last week, when a huge horde of disco business Britons descended on that city for Billboard’s Disco V Forum. In fact the consensus of opinion was that the actual Forum sessions were the least vital part of the affair, while the equipment exhibition was the most useful, and a statuesque 6 foot 1” young lady called Fern was the most stimulating. Say no more, wink wink, spare the blushes (thanks for the money, lads)!

After a sleepless weekend of getting last week’s page written, I arrived in New York on Monday evening, and went straight into a gargantuan spread at the amazing Gallaghers Steak House just over the road from the Roseland Ballroom. The Roseland, like a half-size Purley Top Rank was the world-famous venue for the Forum’s live music entertainment, and inside the specially disco-fied room we soon found the exuberant British contingent led by Chris Hill, Southgate Royalty-owning Adrian Webb, Froggy, Biddu and his rather Debbie Harry-hairstyled wife Sue, Polydor’s Theo Loyla, CBS’s Greg Lynn & Malcolm Jones, Miracle’s Pete Waterman, Magnet’s Tilly Rutherford, Island’s Erskine T, Funk Funktion’s Roger St Pierre & Sally Ormsby, Satril’s Henry Hadaway & Greg Gregory, Carlin Music’s Mike Collier, Lorraine Lewis (ex-EMI) and Rokotto-managing Murdo Wallace.

In no time we were chanting “wall to wall, carpet” as Edwin Starr souled his latest hit, and then we substituted “extra extra, read all about it” to words of his new ‘H.A.P.P.Y. Radio’ (which coincidentally he was composing down at Mayfair’s Gullivers on his last UK visit). Edwin however sounded fine, which cannot be said for the appalling Chic, who died the death – partly through poor amplification. Then we all piled into buses to head out across the towering Brooklyn Bridge for Flatbush where Casablanca Records, with much sought little stick-on camel badges as invitation, were hosting a roller disco party at the Empire Rink to promote their new star, Cher. Doing anything to get a hit, the society column queen was zipped around the rink by some steadying supporters, while her ‘Take Me Home’ disco effort was expertly mixed so’s you couldn’t notice into Donna Summer’s greatest hits. The jock at the rink was brilliant, but although the place was still crowded with skaters in the middle of the night, few were actually dancing as they roared around. So much for roller disco? Back at the Gotham Hotel, I set my Aiwa stereo radio/cassette to record WKTU (Disco 92) and hit the pillow for the first time in 66 hours.

Tuesday dawned late for many, but it was the first real day of the Forum at the Hilton Hotel. A must for most of the British contingent was the afternoon’s discussion panel about disco DJ mixing techniques. Here we pulled a popular “funk mafia” trick, by suddenly standing up with ready-prepared scorecards to cause a bigger sensation than the very respectable running mix by Jim Burgess of ‘I Will Survive’ into ‘At Midnight’. Amongst the tricks of the US style that we learnt about were the “flanging” effect, like phasing, of playing two copies of the same record, in exact synchronisation, and the method of playing two copies slightly out of synch to get phasing and echo effects, but with each record split balanced to opposing sides of the stereo speaker image – Roy Thode of New York’s Ice Palace demonstrated this using Instant Funk to perfection. However, the session was badly marred by continual squabbles about the Forum’s bad organisation, lack of mikes for the audience, and general untogetherness. Of the DJ’s making up the panel, though, it must be said that their use of the microphones provided for them merely underlined the fact that American DJ’s quite simply CAN’T, rather than don’t want to, use mikes when jocking.

Interesting stuff, huh? Well, sorry it’s got to end there, but the real meat of the week’s happenings will be revealed next issue.

Note: The second part of this report was actually printed a fortnight later, on March 24th.

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Disco News

Sparky & Wendy beat 40 dancers to survive for 50 hours at Bristol Assize Courts’ all-weekender marathon competition, while the dancing skill competition was won by Derek after already doing 30 hours non-stop (same length as Martin Starr jocked – losing his voice!), the bash raising over £1500 to ‘Save Some For The Children’ in hospital . . . Terry Betts of the gay guys ‘n gals Lemmons in London’s Westway, normally candlelit Fri/Saturday, has a rollerskating competition on Thursdays with £250 grand final in six weeks . . . Mike Davidson funks Liverpool Hollywood in Duke Street every Thurs-Sunday, operating a club mailing list for members with discounted records, hairstyling and concert coach parties . . . Bournemouth’s Village complex has shut for a major refit and renovation, opening before the summer season . . . Dartford Flicks, the funk venue with Studio 54 pretentions, goes – gulp! – rock ‘n roll on Tuesdays to the boppin’ beat of the Wild Wax crew . . . Island’s new disco division is headed by Erskine T with Eon Irving, their Inner Circle & Gibson Bros hits soon to be joined by Roundtree . . . Hamilton Bohannon’s ‘Cut Loose’ LP, reviewed on import last week, is out here as SRM 18702, while the title track on 12in is Mercury 9198082 . . . Patrice Rushen ‘Hang It Up’ is now on longer Elektra 12in remix . . . Joneses ‘Sugar Pie Guy’ classic from ‘75 has been remixed into 6:29 12in form for Mercury rerelease soon.

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New Spins

VILLAGE PEOPLE: ‘In The Navy’ (Mercury 6007209) (BNDA debut 4/7/79)
Adding sailor suits to their stagewear, the boys clap ‘n holler an instantly catchy 127bpm singalong romper that’s also due on remixed 12in – for UK release this time, unlike the ‘YMCA’ remix!

INSTANT FUNK: ‘I Got My Mind Made Up’ LP (Salsoul SSLP 1511) (‘I Got My Mind Made Up’ BNDA debut 1/27/79)
Only the British LP has this full 9:40 113bpm US disco remix version of the title track, plus its 6:00 soulfully jumping fast 128bpm ‘Crying’ flip, while other warm cuts include the applause-spiced jazzy 128bpm ‘Wide World Of Sports’ instrumental and long P-funkily introed 119bpm ‘Dark Vader’ bumper. They’re better heard on record than seen live.

GEORGE BENSON: ‘Love Ballad’ (Warner Bros. K 17333)
Beautifully scat-sung ‘n plucked bouncy 112bpm mid-tempo driving jazz skipper, deceptively fast though slow seeming on 5:15 12in.  Continue reading “March 10, 1979: Report from Billboard’s Disco V Forum, New York (Part One)”

As you read this, I am over in New York attending Billboard’s Disco Forum – mixing (physically!) with all the jocks, producers, pluggers, manufacturers and other members of the world-wide disco industry who have similarly converged for four days on New York’s Hilton Hotel for what promises to be the best Billboard bash yet. If you remember, I made it over to their first forum three years ago, but have not had time to attend any subsequent shows. Next week you can read all the relevant news on this page in RM.

Disco News

Instant Funk’s UK LP, due now, contains the full US 12in version of ‘I Got My Mind Made Up’ . . . Herbie Mann ‘Superman’ is now on UK 5:53 12in (Atlantic LV 18), while Crackin’ ‘Double Love’ 12in is due in a month . . . Joe Simon and Don Ray are now not due in shops on Polydor 12in until March 16, when Arpeggio ‘Love And Desire’ is also scheduled . . . Tilly Rutherford helms the new Magnet disco dept, with Joanna Kochen still the DJ’s contact, while Lettice has left Arista and Dave McAleer returns from RCA to Pye in next to no time . . . Bob Jones has convinced Chelmsford Dee-Jays to let himself and Paul Gratue funk the joint every Wednesday with imports only, while the Bob ‘n Paul funk team also now do Seven Kings Cauliflower every Tuesday (Hornchurch Kingswood having lost licence) and have a Kingswood Revival Night at Rayleigh Crocs on Thursday next (8) . . . Thames Valley DJA’s new secretary is funky Frank Smith of the Moving Sound roadshow, on Ashford (Middlesex) 42587 days / 52659 nights . . . South Wales DJA’s secretary is Paul Baccara, recently moved to 12/14 Stuart Terrace, Pontyclun CF7 8AF (Llantrisant 224217) . . . David Emery, ex-Newcastle Scamps, will jazz-funk anywhere with his Discotrax outfit, on (0632) 813797 . . . Ilford’s famous Room At The Top is the latest venue to appeal for their late-night licence to be renewed, and Terry Hooper badly needs favourable support for the club from responsible citizens.

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New Spins

GIBSON BROTHERS: ‘Cuba’ (Island 12WIP 6483) (BNDA debut 4/7/79)
Dynamite – the most exciting record of the moment is a madly happy catchily chanted jumping salsa skipper of 7:42 12in with a cleanly zapping 122bpm backbeat and a backing behind the Latin rhythm that’s just like Karen Young’s ‘Hot Shot’! Instrumental flip’s useful for mixing, but try running Lonnie Liston Smith’s Latin break over this and then into Gonzalez!

GREY & HANKS: ‘Dancin’’ (RCA PC 1458) (BNDA debut 1/20/79)
Simple but powerfully effective creamily clomping 122bpm hustler on 6:54 12in, now maybe overshadowed by Gary’s Gang and GQ but still almost in that compulsive class, reaches a frantic “dance dance dancin’” climax.

FLB: ‘Boogie Town’ (Fantasy 12FTC 168)
Fat Larry’s Band as well, with an exciting hot import galloper on 7:41 12in with skippable 116bpm intro before the vocoder and brass whip things up at 126bpm. Continue reading “March 3, 1979: Gibson Brothers, Grey & Hanks, FLB, Mantus, Peggy Scott”