This week’s column includes the first mention of the new 12-inch single format, in Hammy’s review of B.C.G. – Sweet Talk.
Disco ’76, the recent Billboard-organized Disco Forum in New York, failed to come up with any new ideas during its formal panel sessions thanks to poor stage management and bad PA equipment supplied by the Roosevelt Hotel — the sessions never ran to time and were usually all but inaudible.
British equipment manufacturers and suppliers would have benefited by attending or exhibiting at the Forum. Had Roger Squire turned up for the panel that he was due to sit on, he would have done an immense amount of business. This being only the first Forum to be held in the States, exhibitors were wary (as they were before our own NADJ events became established).
Of the 30 manufacturers’ exhibits on show, few items of equipment were as well designed as their UK counterparts although as part of the apparent “bigger is better” belief that is widespread amongst US disco operators, there were indeed some extremely powerful speaker horns and amplifiers on display.
One of the gimmicks of the New York DJ style is to use vast bass horns, separately amplified, to emphasize certain passages of music, and likewise to bring out the sizzling cymbals through clusters of radiating miniature tweeters suspended over the dance floor.
The most eye-catching exhibits were the three competing video projection systems, all of which transmit three invisible beams of red, blue and green onto screens of up to 15 feet in size, on which they superimpose to produce full colour giant TV pictures. Video cassettes available include packaged soul shows from TV, specially created disco music programmes, and star performances including David Bowie.
For more about the Forum, see my full report in this month’s Disco Mirror.
And to finish off, let’s hope that more disco names from Britain will be there next year.
Continue reading “February 14, 1976: New York Disco Forum special, part 3”