June 13, 1981: Grace Jones, Bobby Thurston, Quincy Jones, Evelyn King, Mona Raye

ODDS ‘N’ BODS

BOB MARLEY ‘No Woman No Cry’ flipped by ‘Jamming’ will be on 12in imminently . . . Island have circulated a strictly limited (and numbered) DJ-only box set of ‘Mutant Disco’ containing all the LP’s six tracks back-to-back on three 12in promos . . . Capitol are rushing the new Maze ‘Live In New Orleans’ double album (including a studio side) as soon as delayed US copies arrive . . . Diana Ross, having left Motown for RCA in the USA and Canada, will be on Capitol/EMI for the rest of the world, including here . . . Quincy Jones, apparently so proud of the Patti Austin album he’s produced for August release, has turned down the chance to produce Diana Ross in case of a publicity clash . . . Motown in the States have reissued at mid-price, but all in their original sleeves, a huge selection of old albums, including many of their earliest by the likes of Stevie, Miracles, Mary Wells . . . Beach Boys are actually making their very own ‘Stars On 45’ medley! . . . Atmosfear ‘Invasion’ has been promoed on white label 12in with a commercial remix to follow within a fortnight . . . Ensign are circulating white labels (actually, as is common these days, the label is red!) of a specialist Nigerian jazz-funk instrumental, Tee Mac ‘Sound Of The Universe‘ – which, at 104-107-108-109/110(main part)-109bpm is disappointingly un-African but might mix with ‘Roots’ . . . Pete Haig (Blackpool) says the recent Junior Tucker ‘The Kick’ (Island 12in) is flipped by an instrumental dub of ‘Pull Up To The Bumper’ titled ‘Peanut Butter‘ (damn – and I’ve only got a one-sided promo!) . . . Genji Sawai & Bacon Egg ‘Skipjack‘ (Japanese Electric Bird LP) is “the best Jap-jazz album yet,” sez Chris Hill . . . Shakatak live (as seen at Mayfair Gullivers last Wednesday) are much better and more exciting than on record – and instead of vocoder, which is evidently too expensive and difficult to use on stage, they feature two energetic girl singers (from Enigma, or is it Minnie & The Metros?!) . . . Linda Taylor usually seen with Gonzalez, sings on both the Morrissey Mullen and Cayenne albums, plus Chris Palmer is producing her for a solo single on Groove Production . . . Inversions gig at Gillingham Central had to be postponed from last Sunday until July 19th due to their support spot on the LOTW farewell tour . . . Pete Haig & Frenchie, as well as Blackpool JR’s on Tuesdays, have added Wednesdays at Morecambe Blackjacks (on the prom by the Midland Hotel) to their jazz-funk itinerary, plus they’re amongst the jocks at Blackpool Jenks Breakers Yard on Thursdays . . . Radio Luxembourg’s broadcast from Swindon Brunel Rooms is in fact tonight (Thursday 11) at 10pm, including interviews with Imagination, The Quick, and resident jock Sandy Martin . . . Alan Costa (Brighton Kings Club / Kings II) is amongst jocks reviving T-Connection ‘Do What You Wanna Do’ . . . Rob Harknett (Harlow) suggests two tracks from Janet Brown’s ‘Iron Lady’ LP (Logo MOGO 4006) for fun at Conservative Club gigs, ‘I’m There’ being “funky” while ‘They Call Me The Iron Lady‘ is credited to “Phoney M’ . . . I’m doing a Conservative gig myself at Lound (near Retford) soon, so it could be useful! . . . John Diamond has new residencies in Hove, at the Cheminee in Western Road on Tues/Wed/Fri/Saturdays and the Cliftonville by the station on Thurs/Sundays . . . Dave King, ill in bed with ‘flu, let his roadie Rab Henry fill in for him at Ballymena Raglan but now regrets it – he got bumper crowds! . . . Gary Allan, to clarify last week’s muddle, is calling himself the Liverpool Pixie now following the horrific discovery in a catalogue that the famous Gnudger Gnome mascot of Liverpool McMillan’s is described as “a pixie behind a toadstool”! . . . Dorset mobiles, I wish you’d charge more – I had a nice gig lined up in Wareham until the party-giver’s parents said they weren’t used to paying £300 prices in that area . . . UK Disco 90 at last sees some staggeringly big changes this week following a welcome and long overdue influx of charts – keep ’em coming! . . . I’m afraid some reviews may seem a bit late, but space limitations keep preventing them from being printed . . . silly not to? . . . YODELLY-OO HOO HOO!

MORRISSEY MULLEN, veteran jazz saxist Dick Morrissey and Kokomo guitarist Jim Mullen, get their best shot at cracking the Britfunk market with their imminent ‘Badness’ album on Beggars Banquet. Produced with his trademarked beefy bottom end by Chris Palmer, the set’s strongest cut is Stevie Wonder’s ‘Do Like You’, the rest of the material being just a little bit bland but very well played.

UK NEWIES

GRACE JONES: ‘Pull Up To The Bumper’ (Island 12WIP 5696).
Remixed for smash-bound 12in, this terrific aptly titled bumpy 108-109-110-108-110bpm sparse jittery thudder has zappy stereo synth suspension and rock solid automatic transmission, but instead of the lovely ‘Libertango’ as originally planned the flip is the similarly bumpy stark 108-109-110bpm ‘Feel Up‘ bass boomer.

BOBBY THURSTON: ‘Very Last Drop’ (Epic EPC A13-1301).
Superb creamily clomping 113(intro)-114-115-116bpm 12in soul swinger in the mid-tempo Philly mould of McFadden & Whitehead or Roberta & Donny, with a nice electric piano fade.

QUINCY JONES: ‘Razzamatazz’ (A&M AMS 8140).
Impossible to tell apart from a Michael Jackson record although reputedly sung by Patti Austin, this terrifically happy snappy strutter is certainly on 0-121bpm 7in and doubtless will surface on 12in too.  Continue reading “June 13, 1981: Grace Jones, Bobby Thurston, Quincy Jones, Evelyn King, Mona Raye”

June 6, 1981: Barry Biggs, Keni Burke, Bobby Thurston, Hi-Gloss, The Impressions

ODDS ‘N’ BODS

GREG LYNN, ex-disco plugger most recently responsible at CBS for pushing Adam & The Ants (and Star Sound), has moved to Ensign as marketing and international manager . . . Bobby Thurston’s UK 12in will now be ‘Very Last Drop’ following its Robbie Vincent-caused popularity surge . . . Shakatak’s founders have for years been making disco and pop records under various pseudonyms (several came out on Ensign) so the identity of Enigma shouldn’t be too hard to fathom . . . Linx ‘Together We Can Shine’ on their new 12in is in fact a complete remake, while with vari speed adjustment their ‘Throw Away The Key’ is indeed an amazing imperceptible mix with Change ‘Searching’ . . . BADEM’s Discotek 81 equipment exhibition at London’s Bloomsbury Centre Hotel on September 13-16th will for the first time be open to exhibitors who by being either too small, new, or not directly involved in the disco business would not normally qualify for membership of the trade association – fuller info from Howard Hills on 01-669 9464 . . . Showstoppers mafia DJ team have now rethought their all-dayer/niter strategy and plan for any future events only to sell tickets actually in the clubs where they work, direct to their regular punters . . . Southgate Royalty has been forced to close down the Friday jazz-funk night as the local tube station now shuts early to prevent alleged aggro – and the Saturday is only continuing with the help of a specially organised bus service to get punters home . . . Capital Radio’s Roger Scott, Mike Allen and myself start a weekly series of lavishly organised oldies nights this Saturday (6) at Edmonton’s Picketts Lock Sports Centre, with hot rods, rock ‘n’ roll groups, dance troupes, competitions and much more . . . Camberley’s Frenchies venue at the Cambridge Hotel has temporarily closed for an extensive £120,000 refit but meanwhile Chris Brown and Johnnie Walker continue spinning Latin-tinged jazz every Sunday at the Silvermere Lakeside Club in Cobham (just off the A3) . . . Reflections is the new club in the completely redecorated Devil’s Dyke Hotel at Poynings near Brighton, jazz-funked Thursdays and Sundays by Jon Hill with Paul Jaconelli . . . Sudanese superstar Muhammad Al-Amin, who picks a lute-like sound while wailing in Arabic, appears with his whole orchestra this Saturday (6) at 8pm in Bloomsbury’s Logan Hall (20 Bedford Way, just off Russell Square) – I saw him solo last week with a crowd of Ethiopeans/Sudanese whose exciting reaction to his admittedly (to our ears) esoteric ethnic music was reminiscent of scenes at Harlem’s Apollo, so with an orchestra it could be incredible . . . DJ Alan Matthews was booked and confirmed to do the disco at Jeff Young’s wedding but, without any explanation, was best man himself at another wedding and so sent someone else with equipment which immediately failed, and although the music was a shambles for ages the evening did finally come together and somehow this unfortunate guy (with help from Joe Williams) got things going OK . . . Linx’s David Grant, Phonogram’s Orin Cozier and Rush Release’s Robert Blenman should have been photographed together, they all looked alike . . . Chris Brown, Tom Holland, Bob Jones, Mick Clark, Nicky Peck, Richard James were amongst DJs taking the night off. Robbie Vincent left early and the Brixton Front Line stayed late – some wedding guest list! . . . PEEL’ s latest sponsor disc package arrived burst asunder, spewing forth T-shirts, flexi-discs, boxes of shampoo and a jingle-interspersed 12in of soul oldies, all rebagged in polythene by the Post Office – very efficient (the PO I mean!) . . . Kool’s ‘Celebration’ has been the USA’s biggest selling single since 1979, or to put it another way – since they said “disco is dead” (what do they know?)! . . . Billy Ocean is doing well Stateside with ‘Nights (Feel Like Getting Down)’ . . . Marvin Gaye somewhat belatedly won the People’s Choice vote on Capital Radio, which means the phone-in panels have been consistently soulful recently . . . ‘A’ and probably ‘O’ level exams have been hitting disco attendances for some clubs recently . . . Chris Hill has joined Rusty Egan in being one of the main boosters for Was (Not Was) ‘Wheel Me Out’ . . . Chris also raves about a reggae goodie, General Saint & Clint Eastwood ‘Another One Bites The Dust’ (Greensleeves 12in) . . . Gino Soccio’s 123bpm ‘Dancer’ slots sensationally between Future Flight ‘Don’t Pull The Plug’ and Strikers ‘Body Music’, while his ‘Try It Out’ synchs perfectly with Mantra ‘Doin’ It To The Bone’ . . . Ramsey Lewis’s new import set is due here too, so full review when received but meanwhile the killer cut looks like ‘Expansions’ followed by ‘Lakeshore Cowboy’ and ‘Romance Me’ . . . Phil Haslehurst (The Mighty Chomper) finds the real floor fillers at Whitehaven’s Whitehouse are mod oldies like Velvelettes ‘Needle In A Haystack’, Kinks ‘You Really Got Me’, Spencer Davis ‘Keep On Running’, R Dean Taylor ‘Ghost In My House’, Harry J ‘Liquidator’ . . . I’m back on my diet and losing weight fast Phil! . . . Gary Allen is calling himself the Liverpool McMillans famous Gnudger Gnome mascot was described as a pixie behind a toadstool! . . . Chris Kaye (0892 23186) wants to hear from Owen Washington, Keith Kapri and King Enri, who will find it to their advantage . . . Steve Wiggins (Barry Freddies Bar), can’t contact Excaliber’s ever reliable Morgan Khan anywhere – join the club, Steve, you now know what he’s reliable for! . . . Silly not to? . . . HO DE HO!

AURRA was assembled by Slave’s Steve Washington using several sometime members of Slave, lead vocalists Curt Jones and Starleana (“Star” for short) Young (whose brothers are Young & Company!) also having been in a New Jersey group called Symphonic Express. Slave lyricist Jennifer Marie Ivory (London-raised, Jamaican-born) helps out too, but apart from Steve on lead guitar/bass/drums/percussion, the other main musicians are keyboardist Philip Fields and saxist Tom Lockett.

UK NEWIES

BARRY BIGGS: ‘Wide Awake In A Dream’ (Dynamic DYN 12-10).
Philip James & The Blues Busters 1965 slow ska classic has been beautifully revived true to the original as a gorgeous 65bpm 12in lovers rock smoocher which literally exploded in London two weekends ago, unfortunately after last week’s page had gone to press. Hear it, don’t miss it!

KENI BURKE: ‘Let Somebody Love You’ (RCA RCAT 93).
This ex-Stairstep’s infectiously jittery 119-120bpm 12in clapping soul bubbler took off like a rocket on import and seems set to go even higher now it’s out here. The instrumental flip’s useful too for mixers.

BOBBY THURSTON: ‘Very Last Drop’ (LP ‘The Main Attraction’ Epic EPC 85070).
Robbie Vincent pioneered acceptance for this McFadden & Whitehead-ish lush jiggly smooth 113-114-115-116bpm soul swinger (which I had a hunch could do the business) while initially the buzz was on the incredibly ‘Ladies Night’-like (and still extremely strong) 111-(intro)-115-116-117-118bpm ‘Is Something Wrong With You‘, ‘Main Attraction‘ being a conversation-introed slinkily jolting 54(intro)-108bpm bumper, ‘I Know You Feel Like I Feel‘ a bumpily rolling 103-104bpm jogger and ‘Keep It Going‘ a less incisive but eventually quite tense 112-113bpm swayer.  Continue reading “June 6, 1981: Barry Biggs, Keni Burke, Bobby Thurston, Hi-Gloss, The Impressions”

May 30, 1981: Whispers, Linx, Esther Williams, War, Future Flight

ODDS ‘N’ BODS

RICK JAMES on UK 12in turns out to be only the short 7in version, which is crazy, will lose Motown a smash and must place a premium on the rare US 12in promo remixes . . . Sugarhill’s legal mixer ‘The Adventures Of Grandmaster Flash On The Wheels Of Steel‘ is ruined by ghastly awful jerky stops and starts that are meant to be clever and precisely timed but will immediately throw dancers who’ve just settled into a groove . . . Groove’s forthcoming Latin-jazz material by Cayenne is – mmm! – tasty . . . Champagne has now picked up Proton Plus ‘Pay-Up’ . . . Jermaine Jackson is due on commercial 12in with remixed flip . . . EMI next month compile recent disco/soul hits like William DeVaughn, Cecil Parker, KID, on a ‘Don’t Stop’ LP . . . MCA have serviced radio with a 7in promo of Atmosfear ‘Creators Dream‘, which if they’re thinking of as a single release happens to be the coldest cut on the album . . . Odyssey in case you were worrying is 106bpm (not 181!), Krokus’s hit number is 125-127c, and Coati Mundi on UK 12in seems to be 111bpm . . . Magnet’s roving Tilly Rutherford tantalizingly says “Watch out for the 12in ‘Wade In The Water — Ramsey Lewis / Marlene Shaw”! . . . Reading’s Bank Holiday Monday all-dayer was the last all-dayer/niter the mafia intend to do, returning instead to build back the underground scene’s strength where it all started — in the clubs . . . Hambro Housley Legal Protection Ltd now supplies automatic free legal fees insurance to all members of the Disc Jockeys Federation which entitles jocks to pursue claims against third parties for injury sustained whilst at work with no worry about the cost of the proceedings (people tend to settle out of court once they know you’ve got the strength of an insurance company around you), details from the DJF (GB)’s Bill Forrester, 196 Stapleton Hall Road, London, N4 4QL (01 341 2785) silly not to? . . . Phil Blizzard’s recently printed phone number should have been 0782-263874 . . . London’s Lyceum starts a weekly roller disco on Monday (1) with Steve Walsh and Roger Kent and then for 36 hours over 16/17th June will have a marathon discothon (jocked for all 36 hours by manager Roger Rushton!) in aid of Year Of The Disabled — sponsors please call 01-636 3715 . . . Tricky Dicky’s gay Dicks Inn discos celebrate their 10th anniversary on Friday (29) with the Marvelettes live at Camden Town Hall in Euston Road, 8:30-midnight, but Dicky emphasizes the event is for mainly gay people and their friends . . . John Grant’s Friday mixture at Manchester’s Rufus in Fennel Street is UK releases, imports, reggae, slow soul and even some of the best EDM, while the specialist jazz-funk imports Wednesday night there has probably just started too by now . . . Paul Clark & Mick Fuller now jazz-funk Brighton Busby’s on Sundays with guest jocks planned every three weeks (they’re already there Thursdays too) . . . Nikki Peck’s Sunday re-opening of Gillingham’s Central Hotel venue has now been followed by Dave Flemming funking Fridays there too — he was one of the original jocks some six years ago when it was known as the R&B Club . . . Sheffield’s Jimmy Mack has moved to Derby Romeo’s & Juliet’s on Mondays . . . Russ Burcham, cheeky chappy (actually quite enterprising), offered his disco for The Wedding and got a charming letter back from the Master of the Household at Buckingham Palace, Vice-Admiral Sir Peter Ashmore KCB. KCVO. DSC, saying unfortunately arrangements are already well under way . . . However, those less well organized can book Russ on Billericay 22939 . . . Gary Woodford (01-866 9686), with or without his Mega Sound system, is looking for residencies on Mon/Wed/Thursdays . . . Keith Black (Warwick) returned from his Kenya holiday with “a really good conga-type party record sung in Swahili but going down a bomb at jolly gigs, Them Mushrooms Band ‘Kenya Kakuna Matata‘ (Kenyan Polydor), in fact flip of the ‘Funky Nassau’-type ‘Mombasa‘ . . . Frankie Smith ‘Double Dutch Bus’, better late than never, has just hit the US Hot 100 after slowly rising on the soul chart – nearly a year after it was hot here! . . . Sandy Martin (Swindon Brunel Rooms — where Radio Luxembourg recently recorded a live Disco Top 20 Show for broadcast on 22nd June, (when it’ll be really up to date) says, “With so many spine tingling soul ballads about, why doesn’t someone make a disco mix medley of love music all segued together, edited down and guaranteed to cause havoc on the dancefloor”, or even more at home, in private? . . . Hazel O’Connor’s superb sax is played by Wesley Magoogan, whose own ‘This Guy’s In Love With You’ was completely ignored a few months back . . . Lee Taylor (Mayfair Tokyo Joe) wonders how I calculate the BPMs, using a half minute sweep stopwatch and a hand tally counter on which to click off the beats so that my mind can be left free, I get a good idea after 10, 15, 20 and obviously 30 seconds what the full minute’s BPM should be (you multiply respectively by 6, 4, 3 and 2), so that if the BPM has speeded or slowed I then have to go back and do each bit of the record section by section to chart the fluctuation — this happens to take a hell of a long time, which explains why depending on the time available to me you sometimes get a varying number of reviews . . . Rush Release continue in their aim to control the entire disco business — they’ve just starting plugging for RCA too (if only they, or someone, would do it for WEA!) . . . Whispers chart-topper is massively down on support but still there’s nothing else in the rather stagnant upper chart reaches looking like a contender . . . DJs, last week’s request for charts should have asked for at least a Top 20 floor response listing, as often as possible . . . Gary Allan (Liverpool McMillan’s) reports one of the Gnomes, Phil Ford, accidentally played a white label of Soft Machine ‘Over ‘N’ Above‘ off the ‘Land Of Cockayne’ LP at 45rpm and discovered a rather good speed-spin . . . Chris Ellis of Staines Fusion Few was touched to get a nice letter and a quid for drinks from the Liverpool Gnomes when they couldn’t make his 21st party at Jacksons in Staines — however, the Groovin’ Gropers, Soulful Strollers, Party Jerks. Tony Jenkins (that well known tribe) and more did make it . . . In the words of Minnie The Moocher — HI DE HI DE HI DE HI!

UK NEWIES

THE WHISPERS: ‘I Can Make It Better’ (Solar SOT 19).
Annoyingly pointless doodling intro needs skipping before the busily burbling bass-backed 0-120-121bpm 12in smacker hits its stride and then it’s whack whack whack all the way, with few surprises but lots of simple power and slick finesse.

LINX: ‘Throw Away The Key’ (Chrysalis CHS 12-2519).
Change ‘Searching’-style rolling fast tumbling and tapping 125-126bpm chugger with weird tone intro and frighteningly abrupt demented drum thuds, already voted Capital Radio’s Peoples Choice, remixed on 3-track 12in with the not particularly compulsive laid back 115bpm ‘The Ice Is Melting‘ seguing into a sparsely remixed 118bpm ‘Together We Can Shine‘, which you’ll remember originally as flip to ‘Intuition’.

ESTHER WILLIAMS: ‘I’ll Be Your Pleasure’ (RCA RCAT 78).
Larry Levan-remixed lovely hauntingly nagging Sharon Redd-ish sinuous soulfully wailed 110bpm 12in jittery burbling clapper goes into an abrupt great break with superb jazzy guitar suddenly emerging out of it, and gets stronger the longer it’s on — it’s certainly worth playing right to the end.  Continue reading “May 30, 1981: Whispers, Linx, Esther Williams, War, Future Flight”

May 23, 1981: Level 42, Thelma Houston, Odyssey, Cerrone, Scandal ft Lee Genesis, Neu!

ODDS ‘N’ BODS

SECOND IMAGE, reviewed last week, was incorrectly titled on white label and should in full be called ‘(Get Your Finger Out) Pinpoint The Feeling’ . . . Solar Records, despite RCA’s earlier protestations to the contrary, have indeed announced a distribution switch to WEA (as tipped on this page many months ago) . . . Holland’s enterprising Rams Horn label already has Bobby Thurston ‘Is Something Wrong With You’ on 12in, although CBS have scheduled it here soon too . . . Jacksons follow up with ‘Walk Right Now’ and Heatwave with ‘Posin’ Til Closin’ . . . Vin-Zee and Jimmy Ross releases from the Belgian-based Spice 7 label, slow to chart though selling well, will be issued back-to-back here via Phonogram on the new Megafunk logo . . . Nigel Martinez turns out to have had a hand in the Evasions ‘Wlkka Rap’ — no wonder it’s great! . . . Klique’s LP (reviewed last week) although fine for home listening somehow sounds rather weak on the floor and will need a remix to cut through . . . BPMs for Freddie James, subsequently bought after reviewing it on a dodgy deck, should be ‘Music’ 126, ‘Lady’ 113-115-116, ‘Everybody’ 120-121-120, ‘Energy’ 114-115, ‘Fool’ 123, ‘In Love’ 108-107-0 (‘Dance’ being right at 114) . . . London’s Sundown in Charing Cross Road remains open during alterations but will reopen in a fortnight as another Busby’s . . . Chigwell’s verdantly situated New Epping Forest Country Club has started a jazz-funk club every Monday called Rappers, opened earlier this week by Froggy (who’ll be there again June 8th), with a PA by Incognito next Monday (25) . . . John Grant is now concentrating solely on Manchester’s Rufus in Fennel Street, where he and Colin Curtis feature upfront jazz-funk newies on Saturdays (soon on Wednesdays too) and a mixture of UK on Fridays . . . Keith Barker-Main (Earls Court Graffiti), one of the lucky few with Abba’s Disconet remix, emphasises that despite mixing in a lot of ’70s NY classics he does indeed play current Canadian, Euro and US material . . . Ashley Woods (Sleaford) agrees he needs the bread — to help finance a new BMW 320! — but is only selling duplicates from his extensive record collection and so is keeping all the vital sounds in one form or another . . . Mike Morgan (0245-440 277), looking for a new residency after two years at Chelmsford YMCA, says it does indeed pay to send charts to this page and he encourages more DJs to do so . . . I obviously agree, and could use more returns especially as many from the London area as possible (posted no later than Monday for inclusion in the following week) to James Hamilton, Record Mirror, 40 Long Acre, London WC2E 9JT . . . North East Essex DJ Association is successfully operating a centralised disco pool, to which member DJs direct callers instead of turning down double bookings . . . Frenchie & Pete Haigh (Blackpool JR’s on Tuesdays) run another boat cruise in the Lake District starring Colin Curtis on July 18th . . . Nick Davies has half-price drinks on Sundays between 7.30 and 9.30pm at Watford New Penny, making it cheaper than the pubs (for two hours at any rate!) . . . Robin the Boy Wonder, or young Jeff Elkins as his tax man knows him, is finally being dragged to the altar by Ann this Saturday! . . . Leon Bryant evidently had his grounding in gospel music, working with the Mighty Clouds Of Joy and the Edwin & Walter Hawkins Singers . . . Carol Rayment, moving from mafia-invaded Brighton to university in Bristol later this year, wonders where she’ll find the jazz-funk action there: well, Carol, we used to hear from Bristol’s jazz-funk jocks rather more in the past than we do now, but I’m sure Martin Starr will be onto me like a shot with the answer . . . Robbie Vincent hates it but once again, good old ‘Disco Bouzouki’ (mixed out of ‘Zorba’s Dance’) was what really made an MoR gig lift off for me last weekend . . . Shakin’ Stevens ‘You Drive Me Crazy’ at 122bpm has even more than a strong similarity to Rocky Burnett’s old ‘Tired Of Toein’ The Line’ — which turns out to be 123-122bpm! . . . Alan Donald (Rothesay Paddle Boat), for one, appreciates the Hit Numbers, and says that Elvis Presley ‘Blue Suede Shoes’ gets (none too surprisingly) amazing response chopped out of any Stray Cats-type current “rockabilly” stuff, especially Polecats ‘John’ after one of the guitar runs . . . Alan Coulthard (Barry Atlantic Wine Bar) finds Gino Soccio ‘Street Talk’ mixes brilliantly with ‘Einstein A Go-Go’, and has revived K.I.D. ‘Don’t Stop’ as it’s similarly brill out of the twiddly bits in Unlimited Touch ‘Searching’ remix and also synchs perfectly for ages with Gino Soccio ‘Try It Out’ . . . Silly not to? . . . HI DE HI!

RICK JAMES has his ‘Street Songs’ album out here now (Motown STML 12153). Reviewed in full on import, the cuts other than ‘Give It To Me Baby’ getting most attention are the superbly soulful Teena Marie-interrupted tortuously slow 55-42/21-45-43-44-45/22bpm ‘Fire And Desire’ and steadily smacking 117bpm ‘Ghetto Life’, the whole album though being a well-produced concept set.

UK NEWIES

THELMA HOUSTON: ‘If You Feel It’ (RCA RCAT 77).
Already deservedly monstrous on import and right in the mood at the moment, this ultra-mixable disco gem is a really solid simple hard driving bass-popped 119(intro)-120bpm 12in jiggly jumper sounding much as one might expect ‘Get Tough’ to, if played by Fantasy Hits. It’s perfect with Kleeer itself, Rick James, Whispers (old and new), Mel Sheppard oh, and so many more. Don’t worry though, ‘cos it’s a floor-filler in its own right — and how!

ODYSSEY: ‘Going Back To My Roots’ (RCA RCAT 85).
Already voted People’s Choice on Capital Radio and tearing up every club it’s been played in, this powerfully thrusting jiggly purposeful 0-181bpm 12in chugger has a fabulous full sound yet usefully stays close to Lamont Dozier’s 107(instrumental)-108-110-111-(0-107 Afro)bpm original, which can be imperceptibly mixed in and out of it. The flip’s full ‘Roots Suite‘ includes stop-start jazzy Afro extensions on either end.

L.A.X.: ‘Possessed’ (Epic EPC A 13-1103).
Reduced to 3 tracks, the UK 12in blows its chances by opting for the remixed 106-107-105(piano)-107-106bpm vocal version of this shuffling tense jittery jogger as the full A-side and then instead of using the dynamite instrumental remix with even more of the erupting jazzily plonking piano (the record’s whole attraction), it teams the original LP version with the remixed rambling butchly hollered 118bpm ‘Fight Back‘ as the flip.  Continue reading “May 23, 1981: Level 42, Thelma Houston, Odyssey, Cerrone, Scandal ft Lee Genesis, Neu!”

May 16, 1981: The Quick, Second Image, Benny Golson, Barbara Roy and Ecstasy Passion & Pain, Round Trip

ODDS ‘N’ BODS

DISCOSCENE ’81, the big Midlands equipment exhibition, is this Sunday (17) from noon until 7pm at Solihull’s St John’s Hotel in Warwick Road (M42 exit 2, A41 branching left through Solihull town centre, and it’ll be on the right), admission £1 . . . Linx’s LP has (guess what) been remixed for US release and is now in on import – so how many mixes of ‘You’re Lying’ does that make it? – and Light Of The World’s ‘Best Of’ has been remixed for Mercury LP release soon . . . Kool & The Gang ‘Celebration’ in a usefully different Spanish-sung ‘Celebremos’ 121-123-122-123bpm alternative version is on promo 12in and out here next week (as flip of ‘Take It To The Top’), along with Thelma Houston, Esther Williams, Leon Bryant ‘Something More’, Starpoint ‘I Want To Be Your Lover’ . . . Claudia Fontaine ‘Natural High’ has been picked up by Decca . . . David Bendeth’s official plugside is now ‘Just Demix’ . . . ‘Spur Of The Moment’ amazingly is the one track omitted from the 7in of Jeff Lorber Fusion’s single . . . Excaliber’s imminent release of Eastside Connection flipped by Love Symphony Orchestra kicks off a new label series tagged DJ Purposes Only featuring double A-side proven disco classics of yesteryear . . . CBS have re-released all four of Bob James’s original albums – ‘One’, ‘Two’, ‘Three’, ‘BJ 4’ – at just £2.74 each . . . Suzy Q ‘Get On Up And Do It Again’ vocal pattern is actually more Yarbrough & Peoples than Young & Company . . . Stephanie Mills’ 12in version is 107-108-107-108bpm, and Bobby Thurston’s ‘Is Something Wrong With You’ intro seems in fact to be nearer 111bpm to judge from the amount of vari-speed needed to mix out of Gino Soccio! . . . Evasions ‘Wikka Rap’ was turned down by most major record companies, who are now all queuing at Groove’s door begging for a bit of the action following the record’s explosion in London last week! . . . Evasions on 7in is more coherently edited and has a preferable fading instrumental finish, so it’s worth chopping out of the 12in instrumental into the last half of the 7in . . . Phil Blizzard (Stoke-On-Trent 0782-263876 afternoons except Thursday) is doing an in-store “radio” programme recorded at his own studio and repeated five times during Saturdays to plug new releases, special offers and the like in Hanley’s Lotus Records (Staffordshire’s major record store) – call him for details if you’ve anything to plug . . . Al Taylor is now resident at North Wales’s top country club/disco just outside Rhyl, Poppey’s – an excellent promotional showcase, sez Al, so interested record companies can call him on 0745-825111 ext 3 . . . Pinnacle have been building up their distribution network, but now with a redesigned label logo, plan more releases of their own including disco material again . . . Stuart Robinson (Leeds) wonders who’s plugging for Pye these days – a good question – isn’t it the ever-reliable Morgan Khan? . . . Abba fans are clamouring chequebook in hand for copies of the special Disconet remix for subscriber DJs only of ‘Lay All Your Love On Me’, which for copyright reasons is absolutely definitely unavailable to members of the public (annoying, innit?!) . . . Ellen Williams (Billingham) can’t find Tantra anywhere – why not try mail order from our advertisers? . . . Paul Doner of Ireland’s Waterford-based Suirside Radio produces a Disco Top 30 chart but can’t get a lot of the records – like Whispers, Shalamar, Freeez, LOTW, Kleeer, Shakatak, Level 42, Firefly, Gap Band, Dynasty, LAX, MFSB (if this isn’t an Irish joke, why even attempt to compile a show of unavailable records?!) . . . Holborn’s City Sounds record shop is actually staying open on Thursdays until 8pm . . . Mark Clark (Bracknell) suggests the best way to fly to New York is COSH – Concorde Out, Skytrain Home – which works out about the same as a charter flight and gives you an extra day in the Big Apple (but who wants to pay charter fare, or go to Gatwick?) . . . Phonogram’s ladykiller Orin Cozier has had his hair curled – talk about Nappy Brown! . . . Groove Weekly celebrated a year of publication with a party at Hemel Hempstead Hustlers last Sunday . . . EMI have a nice pair of badges, saying “Hi De Hi!” and “Ho De Ho!” . . . Mayfair Gullivers now boasts a pair of video projection screens upstairs, and downstairs starting next month George Power will be jazzing Tuesdays . . . Liverpool’s orange-coated Mike Davidson somehow came out as Mick last week, sorry . . . Kev Hill (Basildon Sweeneys) is touting local jazz-funk group Elixia . . . Michael Jackson must have been checking vintage Elvis Presley footage for his fancy footwork on TV . . . Peter Young’s first hour last Saturday morning on Capital Radio was red hot ‘n’ soulful! . . . Fred Dove must realise I’d love to review all WEA products if only he’d send them – or maybe he wants me to buy them and bill his managing director for a refund? Record Shack presumably will spell Michael McGloiry correctly on the label of his ever so “jazz-funk” single! . . . Neil Fincham (Dunbar Craigengelt), who has ’em doing mutual press-ups to ‘Humpin’, says the latest catchphrase up his way is “silly not to” . . . HI DE HI!

UK NEWIES

THE QUICK: ‘Zulu’ (Epic EPC A 13-1119).
Since reviewing the white label of this dynamite MFSB-type walking bass driven cool 0-117bpm 12in blue-eyed vocal thudder with abrupt crescendos, my initial expectations of its crossover potential have been exceeded as it packs floors not only at disco, futurist, pop and jazz-funk gigs but with middle-aged dancers at MoR gigs too, at first time of hearing! Try vari-synching out of MFSB ‘Mysteries’, then chopping in Jeff Lorber ‘Spur’. Now it’s on (slightly slower) commercial 12in, there should be no stopping it.

SECOND IMAGE: ‘Get Your Finger Out’ (Polydor POSPX 263).
Robbie Vincent-plugged (I wonder why?) exuberantly rough and ready enthusiastically chanted brassy 125bpm 12in bounder (an American recording would never have had this open a mix), jaggedly broken into for a few instrumental spurts but basically pounding all the way through to the acappella cold finish. About on white label, it may not be available in shops for a week or so.

BENNY GOLSON: ‘The New Killer Joe Rap’ / ‘The New Killer Joe’ (CBS A 13-1223).
Let’s get something straight, the great greasy jive talk introductory rap is by Ted Lange, the wailing lady is Mortonette Jenkins, just the soprano sax solo being by Benny Golson – who also arranged this beautiful classily strutting 118-119(rap)-120-121bpm lush jazz tune in similar style to the way in which it originally appeared on his co-writer Quincy Jones’s old ‘Walking In Space’ album. Benny’s own later recording was only on desperately sought rare import LP until recently included on the ‘Bitter Suite’ UK compilation, and now here it is on 12in too. Rarity created a demand that may now have been deflated, though the music’s as buoyant as ever.  Continue reading “May 16, 1981: The Quick, Second Image, Benny Golson, Barbara Roy and Ecstasy Passion & Pain, Round Trip”

May 9, 1981: “I feel no shame in considering the current futurist and gay-orientated releases a lot more exciting as disco records than much of the UK jazz-funk product.”

ODDS ‘N’ BODS

BENNY GOLSON ‘New Killer Joe’ / ‘Rap’ will be on 12in soon and The Quick ‘Zulu’ is finally due commercially next week . . . ‘Ain’t No Stopping – Disco Mix 1981’ has been picked up by Creole, with anonymous artistes renamed Enigma . . . Whispers ‘I Can Make It Better’ is now on US 12in (US Solar YD-12233) . . . Unlimited Touch’s whole LP let alone the ‘Searching’ 12in has surfaced in a few shops completely remixed . . . Webster Lewis ‘Let Me Be The One’ and Isley Brothers ‘Hurry Up And Wait’ are about on promo US 12in . . . Rick James’s LP is out here next week . . . Pete Haigh & Frenchie’s recent live promotion of Spiral Axis at Blackpool JR’s went so well that they’re after other North Western jazz-funk bands to appear there on Tuesdays – contact Pete (Cleveleys 824156) or Frenchie (Blackpool 694871) for bookings . . . Al Taylor at 26 Terence Avenue, Rhyl, Clwyd, has about 500 12in singles to sell, all at under £1.50, send an SAE for lists . . . Chris Jones at 167 Cathays Terrace, Cardiff, CF2 4HW, has compiled a guide for DJs to ballroom dancing gigs – a copy could be yours for a small donation . . . Rob Harknett (Harlow) reports that Czech jocks have to take exams before they can charge a (standard) fee – thus obviating the ‘cowboy’ problem – with passes necessary in a written paper, half hour radio and half hour disco programme, and (gulp!) a 20 minute talk on politics . . . Theo Loyla’s punters of a jazz-funk persuasion at his regular Bridge Country Club gig near Canterbury (he’s there this Saturday) have formed a tribe called the Canterbury Soul Saints, and were at Caister amongst other events – so that’s why ‘Dominoes’ is number 3 for Theo! . . . Tony Jenkins really has found a deluxe venue for Monday nights at Harrow Weald’s superb Middlexsex & Herts Country Club, which’ll be a must when the weather warms up so I hope the crowds keep coming . . . Staines Fusion Few were there on Tony’s opening night, handing out a sexist leaflet captioned “Here to shake ass”! . . . Robbie Vincent and Jeff Young’s sponsored all-night Easter dance marathon at Dartford Flicks raised around £1,200 for charity . . . Mick Davidson nowadays does Liverpool’s Maxwells Wine Bar/Pub on Fri/Saturday lunchtimes and Tues/Sunday evenings as well as his famous Hollywood residency on Thurs/Fri/Saturday nights . . . Jimmie Bell, whose odd Scottish chart you may remember, now partners Brian Young in the Nouveau Romantiques mobile based in Alloa, and while not costing anything like as much, they like me feature all types of music from the ’20s right up to date – which is the way to do it! . . . I feel no shame in considering the current futurist and gay-orientated releases a lot more exciting as disco records than much of the UK jazz-funk product (that word used deliberately), but I was in fact very disappointed by Landscape’s album (which doesn’t claim to be disco of course) . . . Gareth at Groove’s hot tip this week (which like last week’s they’ll be stocking soon) is the exciting disjointedly jazzy Companion ‘Living Up To Love‘ on a French Barclay LP produced by Boris Midney in brilliantly separated stereo (Futurists check the ‘This Is A Test‘ track too). While also dynamite to judge from a tape will be the Was (Not Was) album . . . David Hudson’s old ‘To You Honey With Love‘ LP (US Alston), initially somewhat ignored except by a few of us, has suddenly taken off like a rocket at Groove following general night-time play on Capital Radio . . . Chris Palmer has yet another new Mercedes, this one huge! . . . Sugar Minott’s surname, to answer queries, is pronounced Mynot . . . Mark Summers, mobile from Romford on 01-590 1825, synchs Strikers ‘Body Music’ over Whispers ‘Imagination’ break starting precisely over the last word in “on top of the world”, while Keith Barker-Main (Earls Court Graffiti) mixes from Carol Jiani’s second instrumental section into Nightlife Unlimited ‘Love Is In You (No.2)’ to the break, which overlaps into Frankie Valli ‘Soul’ from the start . . . Norman Scott (Soho Bang) sends a post card to say he’s been catching Diana Ross in Las Vegas and Cliff Richard in LA . . . I’m extremely grateful to all who contribute charts, so please note I’m not knocking Rush Release’s mailing list jocks for finding the material they service eminently usable, it’s just that it would be nice to hear from DJs who actually buy records too! . . . “It’s got to be about the vinyl” . . . HI DE HI!

UK NEWIES

EVASIONS: ‘Wikka Rap’ (Groove Production GP107).
A fantastically good idea – cicadas and jet plane effects lead into an impersonation of Alan Whicker (who’s given permission) doing a typically phrased commentary about the “lingua franca of the funk business”, reeling off all the cliched disco lyric lines in his – I nearly said inimitable! – manner to a heavily thudding 121bpm 12in ‘Thighs High’ groove, with party chanting and spurts of “good times” vocal carrying on for a basically smacking instrumental continuation . . . However keep right on till the end as ”Alan” returns with the best line of all, “the Southern Freeez, is not a cold day in Bournemouth”! What a crossover monster this will be!

KID CREOLE & THE COCONUTS PRESENT COATI MUNDI: ‘Que Pasa/Me No Pop I’ (Ze 12WIP 6711).
Radio jocks love it as do all the disco DJs who have heard it in use, but this sensationally happy 110bpm 12in Latin conga kicker-cum-rapper from the fashionable Dr Buzzard spin-off has taken ages to finally break into the chart – and that seemingly due to charts from jocks who first heard it at Gullivers! Believe me, this incredibly infectious romp is smash-bound dynamite, so don’t be a slouch about it now it’s out here!

PAULETTE MILLER: ‘You Really Got A Hold On Me’ (Black Jack BJD45 010).
Gorgeous beautifully sung delicate spacious 76/38bpm 12in reggae smoocher with lovely little fills from brass or syndrum every now and then in between the beats. Do try and find it.  Continue reading “May 9, 1981: “I feel no shame in considering the current futurist and gay-orientated releases a lot more exciting as disco records than much of the UK jazz-funk product.””

May 2, 1981: Shirley James & Danny Ray, The Master Dub Band, Atmosfear, Players Association, L.A.X.

ODDS ‘N’ BODS

RICK JAMES will be on extended UK 12in, but – and it’s a big but – there is a dynamite US promo remix with an even longer instrumental B-side which will not be available, only 250 having been pressed of which 50 are over here – it’s gold dust time folks! . . . Morgan Khan (‘Mr Reliability’ to those who used to know him) has secretly snapped up the old Eastside Connection ‘You’re So Right With Me’ and Penthouse / Love Symphony Orchestra ‘Let Me Be Your Your Fantasy’, both currently revived especially at Caister, for imminent release – wait for it – back-to-back on Excaliber 12in . . . Aurra ‘Nasty Disposition’ / ‘Are You Single’ will be on Excaliber 12in even sooner . . . Champaign is now on UK 12in, while UK Champagne has picked up Midas Touch and CBS, just as it’s finally dead, go with Spectrum ‘Takin’ It To The Top’ . . . General Caine II ‘L.R.J. Pop’ will be on Rokel 12in . . . Stephanie Mills is due on remixed UK only 12in, while Clash is indeed imminent on commercial UK 12in. Other 12in confirmations being Japan, Eric Hine and Watson Beasley . . . 12in pressings get priority for obvious reasons on this page, so why aren’t they all being serviced to me? . . . Motown have a promo-only extended 12in of Jermaine Jackson ‘You Like Me Don’t You’ flipped by Smokey Robinson ‘Being With You’ . . . Tantra ‘Hills Of Katmandu’ is now on US 12in ‘En Espanol’ as ‘Las Colinas De Katmandu‘ for the Spanish speakers among you . . . Unlimited Touch ‘Searching For Your Love’, Carol Jiani ‘Hit ‘N’ Run Lover’ and Young & Co ‘Waiting For Your Love’ are amongst other US 12in remixes due imminently, according to first-time New York visitor Alan Jewell (‘Wal’ to those who know him) . . . Alan reports the biggest hit at New York’s Paradise Garage is The Clash, DJ Larry Levan’s attempts to push Funk Masters ‘Love Money‘ being rather less successful . . . Downstairs Records has moved out of the subway and is now upstairs at street level. Further hot poop from the Big Apple (or actually the Garden State in this instance) being that Sugarhill will be releasing a disco mixer using all original artists from various labels – with legal permission! . . . Sharon Redd is Gene Redd Jr’s sister and thus presumably Gene Sr’s daughter – and, er, does she have a label switch in mind? . . . East Anglian DJ Assn as anticipated has disbanded to form three smaller new associations based in Cambridgeshire, Suffolk and Norfolk – jocks in the latter county should contact the Norfolk Area DJ Assn’s Pete May at 4 Aerodrome Road, Thorpe, Norwich NR7 OBD (Norwich 35084) . . . Funktion-founder Tony Jenkins packed 700 funksters into the opening Monday of his new weekly venue at Harrow Weald’s Middlesex & Herts Country Club, having severed connections with Funktion (or should we now just call it the Barracuda?) . . . Virgin’s Richard Branson, well known Old Stoic, has added Kensington’s Rooftop Gardens (ex-Regines) to his nightclub chain of the Venue and Heaven . . . Froggy has left Copford Windmill on Tuesdays to Bob Jones on his own, and Bob’s doing nicely at Braintree Barn on Wednesdays as well . . . Jeff Young goes it alone at Canvey Goldmine on Fridays now, minus guest jocks . . . Craig Protnek (Edgbaston) is going crazy for the specially re-recorded remix of Donna Summer ‘I Feel Love’ which, together with the similarly toyed up Abba ‘Lay All Your Love On Me’ current US disco smash, is only available on exclusive and strictly limited 12in to subscribers of the Disconet service operated by Sugarscoop Inc in New York, a sort of “remix of the month” club aimed at gay-orientated DJs . . . UK-recorded Vogue ‘Free To Be Me‘, deserving more attention, turns out to be by a Brixton/Peckham-based band without a trace of reggae, and is finally getting distribution by Pinnacle . . . MCA’s mystery Fleetwood Mac-sounding ‘Strange Changes’ white label teaser turns out to be by Lynsey De Paul – oh, goodie! . . . Sugar Minott has sold far faster than it’s charted for disco jocks – whassamatter, don’t your club managers let you play reggae? . . . Placido Domingo, classical opera singer, makes so many records that one trade chart has by mistake been listing at number one the LP title ‘Yet Another Recital By Placido Domingo’ – how long before Record Shack start listing ‘Yet Another Nondescript Britfunk Instrumental’?! . . . Archie Bell’s new import LP is disappointingly dull. Blue Magic’s is full of sweet soul slowies, while a veritable deluge of import albums is expected this week . . . Sheffield’s Radio Hallam were fair pounding Star Sound and Liquid Gold over Easter . . . Capital Radio’s new ‘It’s Jazz’ show on Sunday nights at 11pm, hosted by Barbara Thompson & Tony Myatt, should be worth attention by jazz-funk fans, as it’ll be playing all the artistes you know and love but often in their earlier or more acoustic jazz style . . . Elizabeth Taylor in ‘Cat On A Hot Tin Roof’ – cor! . . . Metal Mickey came up with a classic reply to the question, “Round, black, flat and horrible – what do you call that?” – “A Bee Gees record!” . . . KEEP IT GOOD!

GAY DAYS

KEITH BARKER-MAIN jocks at Earls Court’s gay Graffiti in the Old Brompton Road and finds he’s currently having to revive oldies due to the lack of good new gay product. Worth their weight in gold he opines are these singers from the good old days . . .

1. Deputy Of Love – Don Armando – US Ze 12in
2. Love Insurance – Front Page – US Panorama 12in
3. Come To Me – France Joli – US Prelude 12in
4. Harmony – Suzi Lane- US Elektra 12in
5. Come Into My Heart – USA-European Connection – US Marlin LP
6. Feed The Flame – Lorraine Johnson – US Prelude 12in
7. One Love – Celi Bee & The Buzzy Bunch – US TK 12in
8. Shoot Me (With Your Love) – Tasha Thomas – US Orbit 12in
9. That’s The Meaning / Boogie Motion – Beautiful Bend – US Marlin LP
10. Lovin’ Is Really My Game – Brainstorm – US Tabu 12in

Similarly, Tricky Dicky of London’s various Dicks Inn gay venues says that as ordinary discotheques get further into UK-produced jazz-funk, so the gay DJs stay looking for Europop at 120bpm or over. Now, unlike Keith Barker-Main, I’d have thought that while there wasn’t a flood of this sort of material there is still a hell of a lot coming in every week from either Canada or Europe itself, which added to the futurist-aimed electro-disco makes quite a selection even now that “disco” is “dead”. Dicky reckons that the likes of Lime, Azoto, African Magic Combo, Skip Mahoney or Mother (F) could hit UK pop if given the chance – and what about Vivien Vee, Voggue, Vogue or Vera? Dicky will be celebrating his tenth anniversary as a gay DJ/entertainer with some interesting special nights soon, details as they come. OK, Pete (Manchester)?

UK NEWIES

SHIRLEY JAMES & DANNY RAY: ‘Why Don’t You Spend The Night’ (Black Jack BJD 4509).
For months now I’ve been touting this as the next Sugar Minott style monster reggae crossover and at last it’s on the way with proper distribution via Arista and saturation Capital Climber radio play. Originally a US Country hit for Ronnie Milsap, the winsomely duetted sweet 83-87bpm 12in lovers rock chugger is so darned catchy that even the old folks should want it too . . . and then you’re talking sales!

THE MASTER DUB BAND: ‘For The Love Of Money’ (Good City Records GC 001).
The dub side of this 1975 UK-recorded O’Jays cover always was best (I remember mixing it with CHA ‘Foxy Lady’, I think), and now it’s been revamped into a long 118-119-0-118bpm 12in meandering sparse instrumental with jazzy additions to the well meshed hi-hat, wah-wah and bass beat, so that it comes out very usefully sounding like the Clash!

ATMOSFEAR: ‘Interplay’ (LP ‘En Trance’ MCA MCF 3110).
Listening to this homegrown jazz-funk set is like being buried in cotton wool, all soft, mushy and with nothing sticking out. This attractively airy though busily pattering 0-127-126bpm electric keyboards instrumental not having enough of the lovely lightweight singing at each end, ‘Invasion‘ being a Funk Masters-style bass bumbled 127bpm ticker with vocoder effects, ‘Return Of LB‘ a confidently meandering 121bpm instrumental throbber, ‘Duende‘ an at times somewhat tentative 128-129bpm jazzy instrumental, ‘Free Tonight’ a synth-introed sparse bumbling and schlurping 0-125-123-125-124bpm ramble let down by some ragged vocals, ‘Funk The Rock’ a bassily booming 124-126-124bpm churner, and ‘Creators Dream’ a languidly building 117(intro)-120-123-124bpm bass burbled vocal doodler. Continue reading “May 2, 1981: Shirley James & Danny Ray, The Master Dub Band, Atmosfear, Players Association, L.A.X.”

April 25, 1981: Whispers, Quincy Jones, Isley Brothers, Rick James, Heath Bros

ODDS ‘N’ BODS

EAST MIDLANDS DJ Assn’s disco exhibition is at Derby Tiffany’s this Sunday (26) from noon till 8pm . . . Birmingham equipment stockists Disco Electronics and Roadshows Disco Centre are again combining to put on a successor to last year’s Disco Light & Sound ’80 exhibition, this years titled Discoscene ’81 and at Solihull St John’s Hotel on Sunday 17th May from noon until 7pm with an impressive line up of exhibitors, full details from Terry Lees on 021-707 1925 . . . Thames Valley DJ Assn members meet this Sunday (26) at Staines Jacksons club at 12 Clarence Street starting noon . . . Rah Band ‘Downside Up’ is now indeed on 12”, Ronny’s BPM should have read as 110/55-111-112-113bpm, and it’s Eric Hine doing ‘Fade Away’ . . . King Pleasure, the 58 year-old pioneer of jazz scatting (real name Clarence Beeks) who originated the classic ‘Moody’s Mood For Love’ treatment copied by George Benson, very sadly died last month, in Los Angeles . . . Brighton’s Metro re-opens as Busby’s II next week (note that Busby’s relates to Busby Berkley and not the P.O. Buzby bird!), Paul Clark & Mick Fuller being regular jocks there on Thursdays and Sundays . . . Harvey Mason studied at the Berklee School Of Music, not Berkeley . . . Nicky Peck reports that Gillingham Central is getting so busy that Sundays are about to become membership nights in an effort to control the crowds, local jazz-funkers M.S.Q. appearing there live this week (26) . . . Holly House Publications are now making circular shaped “frisbee” business cards customised according to your choice of colour and design, full details from 2 Holly Rd, St Mary’s Bay, Kent, TX29 0XB . . . Geoff Dorsett (Halifax) and others in search of hard to find records, why don’t you check the small ads? . . . Tony Clarke is finding disco life very different jocking in Rognan, Norway, but came across a good import record shop on his four day journey in Oslo, called Bus Stop . . . TWA’s dirt cheap package holidays to the States have to be booked and paid for by April 30th, don’t forget (four days in New York all-in for £164 for example) . . . Caister was widely regarded by lots of other people to have been the best in quite a while, too . . . Kev Hill (Brentwood) says he’s the phantom Bum Burner, not the Phantom Phonecaller – so that’s what he needs the jelly for! . . . Gary Allan (Liverpool McMillans) is a bit fed up with the Cambridge Dons, who used one of his official Liverpool Gnome noses for their phallic fun at Caister, and never returned it! . . . John Douglas (Braintree) reckons Roy Ayers ‘Love Will Bring Us Together’ from the ‘Fever’ LP would make an ace single right now, and revives Sir John Roberts ‘Ain’t Nothing Like Making Love’ (US Venture LP) . . . DJ feedback about the ‘Hit Numbers’ BPMs is non-existent, but I personally find my efforts invaluable at mobile gigs, and I’m gradually BPMing a lot of other pop material with which I’m not so familiar (only having to use it a few times a year these days) the mixes I’ve been coming up with as a result being dynamite) . . . Davy King (Ballymena Raglan Lounges) now leaves us with a joke that’s too late for Easter – “Where did they get the food for the Last Supper?” – “Judas’s carry-out!” . . . only two days after writing the last issue, there’s not really a lot to talk about this week . . . KEEP IT GOOD!

ALPHONSE MOUZON producer / arranger / writer and drummer on the ‘By All Means’ jazz-funk smash that bears his name, and a lot of hot playing by Herbie Hancock, Freddie Hubbard, Lee Ritenour and Seawind – was born November 21st, 1948, in Charleston, South Carolina, and played side drum aged 12 in a marching band at school. In 1966 he moved to New York where he started taking an interest in the piano but actually gigged for eighteen months with a society band as roadie cum fill-in drummer, working at the same time as a hospital orderly while studying dramatics.

Whispers In The Air

THERE’S A catchphrase in my mind that the record company don’t seem to have thought of yet, something like ‘Solar So Good’. In other words, almost everything that label has laid its hands on in the last year or so seems to have had the technical supervision of King Midas.

In the States, Lakeside are building a beat which could still cross here, and the other Solar songsters have already made a noise in the UK. Dynasty are currently warm on our dancefloors with ‘Groove Control’, from their ‘Adventures In The Land Of Music’ album. They went all the way across in 1979 with ‘I Don’t Want To Be A Freak (But I Can’t Help Myself’.

Choreographed chic might not be your cuppa but it’s hard to deny the slickness and style the Whispers have brought to bear on our disco scene since the beginning of last year. That was when, after years of reputation without reimbursement, the Whispers first had their wallets filled with green notes, GB-style. It was via ‘And The Beat Goes On’, then as now a dancefloor monster of fearsome strength from the fearsome five.

Those five are Wallace (“Call Me Scotty”) Scott, twin brother Walter (no, you weren’t seeing double), Marcus Hutson, Nicholas Caldwell and the splendidly named Leavell Degree – If only he had two brothers I could knock you out with a crack about the Three Degrees. Bet you’re glad he hasn’t.

This thing’s been building since the guys were at Junior High School. Brothers Walter and Scotty conceived the idea on the influence of a relative. “We had an uncle whom we would always listen to,” recounts Walter, “and he taught us a lot about harmonising. That’s where we learned that kind of singing.” The men from uncle, you might say.

Next came the meeting with Marcus and Nicholas and the Whispers became a going concern. And a growing concern to begin with, because they weren’t too sure where they were heading at first. Marcus Hutson recalls that “At first we were really singing as a hobby. After we got out of school we decided to quit our jobs and really go all the way.”

That upsurge in ’80 was thanks not just to ‘And The Beat Goes On’ but a strong eponymous album, with the ballad ‘Lady’ as a hit in great contrast to the first, and a contemporary treatment of Smokey Robinson’s ‘My Girl’ as an added treat. The album also contained ‘A Song For Donny’, their tribute to the late and much underrated soul man, based on an old Hathaway tune with new lyrics supplied by Solar’s Carrie Lucas. (She had a taste of the top with ‘Dance With You’).

The Whispers took it further, too, by helping to set up the Donny Hathaway Scholarship Fund together with Solar President Dick Griffey, who just happens as well to be their co-producer. All the proceeds of that tribute song are donated to the Fund.

Such an explosion of fortunes as the Whispers enjoyed last year seemed hard to maintain. But that they’ve done, courtesy of another musclebound LP called ‘Imagination’, whence comes the one you might be tapping your toe to even as I write, name of ‘It’s A Love Thing’. Not just that any more, but these days it’s a success thing for the Whispers too.

People really go for those synchronised sweaters.

UK NEWIES

QUINCY JONES: ‘Razzamatazz’ (LP ‘The Dude’ A&M AMLK 63721).
Amazingly Michael Jackson-like though in fact Patti Austin-sung smash 0-120bpm slickly flowing Rod Temperton-penned chugger mixes sensationally with Brothers Johnson ‘Stomp’. The similar 120bpm ‘Turn On The Action‘ being less strong, while Stevie Wonder synthesizes on the slinkily rolling sinister steadily clopping vocoder-sung 96bpm title track jogger and on his own jittery little 111bpm ‘Betcha’ Wouldn’t Hurt Me‘. ‘Somethin’ Special’ being a pleasant pulsating 51/103bpm swayer. You’ll note that ‘Razzamatazz’ is actually hitting higher than the also included 123bpm ‘Ai No Corrida’ 12in!

ISLEY BROTHERS: ‘Tonight Is The Night (If I Had You)’ (LP ‘Grand Slam’ Epic EPC 84914).
Still most essential for the full length version of this beautiful lush 48/96bpm smoocher, and the bittersweet 41bpm ‘I Once Had Your Love (And I Can’t Let Go)’. The set falls into cliches on the fast material like the ludicrously ‘That Lady’-style 126-128bpm ‘Young Girls’, urgent jittery 120-122-124-125bpm ‘Party Night’, similar 122-123-124bpm ‘Don’t Let Up’, jerky cantering 122-123-124bpm ‘Hurry Up And Wait’, and jagged fast 128-129-128-127-126bpm ‘Who Said?’.

STEPHANIE MILLS Featuring TEDDY PENDERGRASS: ‘Two Hearts’ (20th Century-Fox TC 2492).
Perfectly timed tense pent-up gruff than soaring 107-108bpm 7in jolting jogger (surely destined for 12in too?) like a less lively ‘Back Together Again’, prod/penned by Mtume & Lucas, flipped by Stephanie’s solo 33- 35bpm ‘I Just Wanna Say’ smoocher.  Continue reading “April 25, 1981: Whispers, Quincy Jones, Isley Brothers, Rick James, Heath Bros”

April 18, 1981: Jeff Lorber Fusion, Imagination, Banzai, Jay Hoggard, Bobby Thurston

ODDS ‘N’ BODS

SHOWSTOPPER PROMOTIONS National Soul Day has been cancelled until later in the year when bands with star power will hopefully be available, but meanwhile all the mafia jocks will be at Luton Caesars Palace for a May 4th all-dayer instead — and on the following May 25th Bank Holiday at Reading Top Rank, where the jazz-funk all-dayers originally began! . . . Hi-Tension, Shakatak & Index are now confirmed as the bands at Leeds Queens Hall all-dayer on Easter Monday, with all the Northern jazz jocks like John Grant, Colin Curtis, Pete Girtley, Chris Tittley, Pete Haigh, Eric Hearn, Alex Lowes . . . Chris Tittley and Pete Haigh obviously don’t pack out Blackpool JR’s on Wednesdays, considering they’re there on Tuesdays — and next Tuesday (21) the area’s top jazz-funk band Spiral-Axis play live . . . Jeff Lorber’s album is due here early May . . . Arista have picked up Shirley James and Danny Ray ‘Why Don’t You Spend The Night’ for pressing, distribution and promotion on its original Black Jack label, which hopefully will make it the next reggae crossover monster it’s been threatening to be . . . Hawkeye on their own behalf initially tried to interest RCA in ‘Good Thing Going’ amongst other records before Pete Tong did indeed bring Sugar Minott specifically to the attention of Rowdy Yeats (who was already hearing it at Gullivers), some time after which Rusty Egan then collared someone else at RCA, but nobody in control there actually decided to pick it up until publisher Jobete’s Ivan Chandler then expressed his keenness for RCA to go with it — and let that be an end to it! . . . MCA have promo-ed a mystery white label ‘Strange Changes’ 12in that’s a Fleetwood Mac-ish 124bpm cool ticker . . . Roland DeVille’s ‘Come Dancing’ had a good review months ago when Capital Radio were plugging it but only now, when belatedly it arrived for free on DJs’ door-mats, has it shown up in the breakers — but will it sell (like hell!) now it’s cold on radio? . . . I do resent the way records I can’t even give away keep showing up in DJs’ charts just because they got them for free — there are some really dumb clucks out there — yet really hot sales items take ages to show up . . . Phonogram’s recent promo mailing was hot though, Parliament ‘Crush It’ being 111bpm, ConFunkShun ‘Lady’s Wild’ 112-111-112bpm, Bar-Kays ‘Body Fever’ 115bpm (synch the 11 beats siren intro onto the 2nd beat in a bar) . . . The Clash is on Dutch 12in now and UK imminently . . . The Quick ‘Zulu‘ has exploded as anticipated with all audiences — It even pulled middle-aged punters at a mobile gig last weekend! . . . Ennio Morricone ‘Chi Mai‘ however was my four-plays monster, even when sent up rotten, and segues perfectly on into ‘The Blue Danube’ . . . Spandau Ballet ‘Muscle Bound’ synchs sensationally with the Rolling Stones ‘Hot Stuff’! . . . LOTW ‘Time’ 12in is great fun to restructure using two copies, chopping, phasing and extending . . . Ashley Woods must be mad but he’s selling an enormous collection of recent jazz / funk / disco / soul gems, so send a large 15½p SAE for the list to him at 12 Ancaster Drive, Sleaford, Lincs, NG34 7LY . . . David Emery, busy not only jocking around Newcastle-upon-Tyne, has a Rancho “Jungle Car” for sale to anyone with a smallish disco they’d fancy transporting in style . . . Kev James does Tuesdays (futurist) and Thursdays at Golders Green Great Expectations with live bands, and is indeed looking for more bands to work regularly — send demo tapes and info to him at Burnett House, Burgess Hill, London NW2 . . . Linx’s David Grant it was who was rudely awakened bright and early at Caister by Canvey Goldmine’s Stan Barrett playing ‘Rise And Shine‘ really loud on a cassette player outside his hotel door — the trouble was David didn’t have his glasses on and couldn’t at first find the player let alone the off switch! . . . Jeffrey Elkins marries Ann Maloney next month . . . Johnny Walker (Camberley Frenchies / Staines Jacksons) and Chris Dinnis (Exeter Boxes) both rave about Atmosfear’s up-coming ‘En Trance album . . . Craig Dawson (Edinburgh) and others, please note, it’s not that I don’t know nuffink, squire, but I really don’t know who’s distributing the recent less legal disco mixers . . . Alan Coulthard (Record Mirror!) says if Carol Jiani is “disconcertingly slow though fast seeming” then Vera ‘Take Me To The Bridge’ is definitely ”disconcertingly fast though slow seeming!” . . . Congress ‘That’s Jazz’ maddeningly familiar guitar is like Bobby Caldwell ‘Down For The Third Time’ — isn’t it? . . . ‘Bits & Pieces III’ is reviving as interest grows in the ‘Stars on 45’ cover version, with many jocks specifying they’re only using the pop oldies last half now . . . Colin Day, homesick for ‘Tiswas’ at Zurich Club Of Clubs (is he due for a shock when he holidays here next month!), says Kano ‘It’s A War‘ (US Emergency LP) at number one in his chart is the source of that solid backbeat on ‘Bits & Pieces III’ . . . I thought the trees in the obviously summer filmed ‘Long Good Friday’ were in implausibly verdant full leaf for Easter, but the way things are going this year they’ll probably be autumnal by the time we get to Good Friday! . . . Davy King (Ballymena Raglan Lounges) asks, “what’s green and eats nuts?” — er, the answer is disgusting, but if you don’t know, check your local VD clinic (or RM’s Susanne Garrett!) . . . KEEP IT GOOD, FRIDAY!

HARVEY MASON has a 3-track 12in out next week, teaming his imminent new LP’s ‘How Does It Feel‘ and ‘On And On’ with the older ‘Till You Take My Love’ off his ‘Funk In A Mason Jar’ set. The super-sessioneering drummer, born 1947 in Atlantic City, studied music right through his schooldays and then with scholarships at Berkley and the New England Conservatory. After graduating early he toured Europe with Erroll Garner before becoming an LA studio regular in 1970, playing with such as Herbie Hancock’s Headhunters prior to signing solo to Arista in ’75.

UK NEWIES

JEFF LORBER FUSION: ‘Spur Of The Moment’ (Arista ARIST 12410).
Dynamite powerfully leaping strutting 121bpm jazz-funk instrumental stormer destined to be another MFSB (it mixes with ‘Mysteries Of The World’ and The Quick ‘Zulu’) but badly placed at the tail end of a 3-track 12in after the more specialist lurching 114bpm ‘Magic Lady‘ jolter, both being double ‘A’-ed with the blatantly funky 114-115-116-115bpm ‘Monster Man‘ heavy bass jittered chanter.

IMAGINATION: ‘Body Talk’ (R&B RBL 201).
Everyone’s describing this hauntingly atmospheric jazzy piano played and squeaky guys crooned deliberate slow 85bpm 12in jogger as Yarbrough & Peoples with Herb Alpert’s ‘Rise’ beat, and everyone’s right! It builds up plenty of power that’s all its own though, with an instrumental flip.

BANZAI: ‘Runaway’ (Groove Production GP 105T).
Beefily recorded as usual by Chris Palmer with a lively though simple socking beat, this naggingly catchy jazzy 120-119-120bpm 12in instrumental skipper is only on white label so far in this version.

REVELATION: ‘Feel It’ (Handshake HAN-DX 3).
Solidly lurching smooth soul vocal group thudder originally on UK 7in last year, then US 12in, and now finally out here in the latter full length 0-114-115-116-115-116-115-116bpm version with pleasant cool piano amongst the busily pattering, though strings smoothed, instrumental extension.  Continue reading “April 18, 1981: Jeff Lorber Fusion, Imagination, Banzai, Jay Hoggard, Bobby Thurston”

April 11, 1981: Caister report, Dartford Flicks/Rusty Egan futurist night report, Carol Jiani, Harvey Mason, Thelma Houston

ODDS ‘N’ BODS

ALPHONSE MOUZON won Capital Radio’s ‘People’s Choice’ vote for this week . . . LOTW ‘Time’ on 7in, despite the chart and ads saying ‘Remix’, is not the remix at all but just the now boring old LP version .. . Not James Player ‘Friends Again’ is now available via Pinnacle in evidently yet another new mix . . . Banzai ‘Runaway’, a UK jazz-funk killer debuted at Caister by Martin ‘So Long Zapata’ Collins, will be on Groove Production 12in soon . . . Mantra ‘Doin’ It To The Bone’ is now on 12in US promo, as are remixes of ConFunkShun ‘Lady’s Wild’ and Bar-Kays ‘Body Fever’, from Phonogram . . . US album newies include a slew of ‘Best Of’ sets from Ramsey Lewis, Hubert Laws, Wilbert Longmire, Johnnie Taylor, Bobby Hutcherson and the Tappan Zee label . . . WEA’s Fred Dove, ticked off for not moving with the times, has been ordered to compile a mailing list for white-orientated dance product — surprise, surprise! . . . Fred incidentally, as may not be widely known, was taught to drive by Rusty Egan . . . Greg Lynn’s ‘Bitter Suite’ liner notes are amazingly inaccurate in places, which makes one wonder what he was actually doing all those years as a disco plugger . . . Pete Tong claims to have introduced Sugar Minott ‘Good Thing Going’ to RCA, whereas Hawkeye certainly think that Rusty Egan did and don’t know Tongy, while one thing is definitely indisputable — Graham Gold and I were the first white jocks to play it! . . . Linx’s David Grant stayed in style at a hotel near Caister but Sketch slummed it at the camp, spending much of Friday night cruzin’ for burgers (or something) and generally looking in vain for the Brixton Front Line . . . Sketch, Rush Release’s Robert Blenman (who looks just like David Grant when wearing tuxedo fancydress!), Excaliber’s Morgan Khan, DJ Alan Jewell and myself then ended up partying in a caravan with what seemed like all of Radio Invicta and some nice young ladies. . . Canvey Goldmine’s Stan Barrett played ‘Rise And Shine’ really loud on a cassette player outside his hotel door — the trouble was David didn’t have his glasses on and couldn’t find the off switch! . . . Sketch when last seen was lighting ladies’ cigarettes with special flashy Linx bookmatches . . . I meanwhile had a flood after turning on the hot tap, and discovered it’s no fun trying to bale out a rapidly sinking caravan with just a dustpan and brush! . . . Froggy revealed on Radio Caister that he got his nickname 11 years ago at Chadwell Heath Birdsnest (latterly the Regency Suite) where his hyperactivity and boney build prompted the staff to say he was as jumpy as a frog . . . Yarmouth’s Anglian Lodge was indeed visited by a bunch of us, heartiest eaters being Tom Holland, Fred Dove and yours truly . . . Carol ‘Clumsy’ Hill, now rapidly deflating, swears by her Terry DeHavilland shoes (Paula please note!) . . . Staines Fusion Few’s Caister fanzine proved to be a bumper pack featuring photos of the DJs’ heads superimposed on muscleman bodies, plus a great Snoopy cartoon about a certain ill-fated Lincolnshire all-dayer . . . DJs were abuzz about the crossover potential of the Clash and Quick singles, much played on Radio Caister . . . Inversions, Shakatak and Level 42 are amongst bands reputedly appearing live at a ‘BritFunk’ all-dayer on Easter Bank Holiday Monday at Leeds Queens Hall . . . Croydon Scamps has an Easter Monday ‘Junior All-dayer’ (presumably under-18s) with lotsa jox and something called the Colah Triplets live on stage . . . Steve Kaye’s captive audience may or may not like soul music but that’s what they get on Liverpool’s Sunshine Radio hospital network every Sunday 6 – 8pm . . . Gary Allan and some of the Liverpool Gnomes just squeezed into Caister thanks to late cancellations, and Blackpool’s lofty Pete Haigh was amongst a coach load from Standish Cassinellis . . . Pete reports that Blackpool has 18 major discos within one square mile (plus a dozen or more outside that area), all of which stay open seven nights a week even out of season in winter — which may explain why he and Chris Tittley aren’t as busy as they could be jazz-funking JR’s on Wednesdays . . . Al Taylor reckons St Asaph Stables is now a futurist venue . . . Mark Clark (Bracknell) says Gene Dunlap gets credited at the end of ‘The Coalminer’s Daughter’ as a member of the on-screen band — which seems surprising . . . Groove Records’ Jean was mugged outside her flat by some superannuated “mods” in a white van, who didn’t get much but it hurt in more ways than one . . . Brentwood’s Kev Hill apparently claims to be the notorious Phantom — and what’s this good thing he’s got going with Tony Hodges? . . . Bernie Lyons says Dublin’s Berni Inn could be the unlikely venue for a jazz-funk night — and with his name he ought to jock it! . . . Paul Stewart (Belfast) advises that Martians are more plentiful in Galway than funkateers, who are scarce enough in either Dublin or Belfast . . . Davy King (Ballymena Raglan) mixes Coast To Coast, Bucks Fizz, Racey ‘Some Girls’ at parties for the jivers . . . Flash Gordon (Bristol Sinatra’s) — whose mum knows him as Percy Veerance — says that even in the current situation your punters will become more receptive to new records if you mix them in regularly after the known hits, so that the dancers lost initially will soon be back on the floor once they’ve got used to them . . . Easter deadlines loom early next week, so chart contributors please post ’em by this Saturday if at all possible . . . KEEP IT GOOD!

CAISTER

SPRING CAME early with the gathering of the tribes at Caister this year, for although the breezes were far from balmy at this seashore site, the darling buds of May were further advanced than they had been even a month later in the season at the two weekenders held there last spring. Now back at the superior main Ladbrokes holiday camp and with a set limit on numbers attending, the Showstopper Promotions event managed against all the odds to get out of the predictable rut it had been in danger of following and proved to be one of the freshest weekenders in a long time. This was largely on account of the deliberate policy to play new, or at least unhackneyed, material as much as possible, certain key oldies (spot ’em among the Breakers!) being used sparingly with great effect by the DJ team of Chris Hill, Robbie Vincent, Froggy, Chris Brown, Sean French, Jeff Young, Brother Louie, Tom Holland, Mick Clark, Pete Tong, Chris D Smith and Martin Collins. As soon as the two dance halls closed down for the night, Froggy’s gear was back in use, this time linked to Radio Invicta providing a continuous jazz-funk programme for the campers until midday, the DJ whose on-air style impressed me the most being the extremely professional Martin Collins, who could walk into Capital’s Night Flight spot any time he chooses, in my book! Although attempted last autumn, this radio service was another innovation that made this Caister stand out. A measure of its effect was that, at some unearthly hour, the on-air jock experimented with the event’s new catchphrase chant “Hi De Hi” – and the “Hi De Ho!” that roared back from all the chalets and caravans must have woken half Norfolk! Sean French enthusiastically good-humoured as ever, tended to keep playing the Muppets and ‘ Mah Na Mah Na’, Chris Hill’s closing vibe-up was the JB’s ‘Honky Tonk’ with an improvised rhyming blues vocal added by himself. Chris Brown ended one night with some rock ‘n’ roll which made a few people think they’d hit Sho-Pro’s other rock ‘n’ roll Caister weekender, while Mick Clark and Pete Tong impressed many with their up-front jazz newies especially during a roller-disco session. The disappointment was that the eagerly anticipated talent contest, so good in October, sadly lacked comparable talent this time. Elaborately staged with two traditional pit musicians and the Sea Scouts Band performing a spectacular opening, the show dragged on with the only real highlights being a joke and song from the cleverly different Gareth Harris, a one man band version of ‘Parisienne Girl’ by Incogcrappo, a distastefully phallic bit of jiggery pokery from the Cambridge Dons, a wickedly funny impression of Douglas Bader playing golf by Martin Reid, a Village People send-up by the Brixton Front Line, and a winning performance by one of their number as an Italian opera singer, with all the right bombastic postures but no trousers! He incidentally won a Polaroid Land Camera in the ‘Take Your Pick’-styled awards ceremony – none of yer rubbish. The only sour note in an otherwise happy weekend was that during the very final finale – with the crowd refusing to budge until the reluctant jocks HAD to play all the well-worn traditional old closing numbers they’d been trying to avoid – someone systematically broke into a lot of chalets and ripped off all the radio/cassettes they could find. What a bummer. Otherwise, it really was a good Caister and one of my favourites. Next time hopefully the radio will relay the entire event all day too, making life a lot easier for those with other things to do! If you plan on going in October you’d better send an SAE pretty darned pronto for priority booking into Showstopper Events, Royalty Nitespot, Southgate, London, N14. Caister 6 is October 23/24/25, but before that there’s the National Soul Day on May 4th Bank Holiday Monday at Brighton Conference Centre with all the mafia jocks plus Greg Edwards and a ‘2001’ all-dayer on Easter Monday at Southampton Top Rank. Hi De Hi!

UK NEWIES

CAROL JIANI: ‘Hit ‘N’ Run Lover’ (Champagne F1ZY 506).
Synth driven rattling zingy 122bpm 12in squawker with good squealing sax and an overall feel reminiscent of ‘Delirium’ or ‘Shame’ (though actually slower in BPM if not in sound), initially huge for gay clubs but now a big pop disco crossover.

HARVEY MASON: ‘How Does It Feel’ (LP ‘M.V.P.’ Arista AB 4283).
Bright sounding rather shrill vocal set circulating on white label at the moment, this macho-introed then squeakily falsetto sung bass-bounded happy fast 0-131bpm EWF-ish romper being the one to get Caister plays, while ‘Going Through The Motions‘ is a wailing chick-quavered hard knocking little 118-119-120bpm trotter with some great rhythm playing, ‘We Can Start Tonight‘ a jittery jaunty staccato steadily chugging 119-120-121bpm harmony chanter. ‘On And On’ a syndrum-spiked jerky 62-124-122bpm slick skipper, ‘Universal Rhyme’ a changeable 114bpm swayer. ‘Don’t Doubt My Lovin’ a spurting squeaky stop/start 0-115bpm jolter, and ‘Spell’ a slow 0-76/38bpm jogger.

THE QUICK: ‘Zulu’ (Epic EPC A 12-1119).
MFSB-type bass-walked terrific cool 0-118bpm 12in blue-eyed vocal thudder promoed on white label could cross over between disco, futurist, pop and even jazz-funk as it was with the Clash one of Caister’s talking points and much played on the radio there.  Continue reading “April 11, 1981: Caister report, Dartford Flicks/Rusty Egan futurist night report, Carol Jiani, Harvey Mason, Thelma Houston”